DC https://comicbook.com/dc/feed/rss/ Sat, 18 May 2024 06:11:50 +0000 en-US hourly 1 DC RSS Generator New Super-Pets Special Announced by DC https://comicbook.com/comics/news/new-super-pets-special-announced-dc/ Sat, 18 May 2024 02:01:00 +0000 Jenna Anderson cdeeefe6-3f8f-4163-aa60-61c7db3878e1

DC's furry friends are about to get spotlighted in a pretty adorable way. As part of DC's August 2024 solicitations, the publisher announced the first details surrounding Super-Pets Special: Bitedentity Crisis #1. The 48-page anthology will feature multiple stories surrounding DC's pets, with Nightwing's dog Haley at the center. Super-Pets Special: Bitedentity Crisis #1 will be released wherever comics are sold on Wednesday, July 30th.

SUPER-PETS SPECIAL: BITEDENTITY CRISIS

  • Written by TONY FLEECS, ALEXIS QUASARANO, MICHAEL CONRAD, DAN WATTERS, and KYLE STARKS
  • Art by MIKE NORTON, PJ HOLDEN, SAMI BASRI, CHRIS MITTEN, and KYLE STARKS
  • Cover by PETE WOODS
  • Variant covers by TONY FLEECS and KARL KERSCHEL
  • 1:25 variant cover by GUSTAVO DUARTE
  • $5.99 USD | 48 pages | Variant $6.99 (card stock)
  • ON SALE 7/30/24

The Super-Pets are back--and this time, they're all BITE! Haley, the beloved bark-out star of NIGHTWING, finds herself to be a fish out of water when she arrives on Kent Farm. As our big-city mutt tries to adjust to country living, she's shocked to discover a kennel of courageous critters is already waiting for her! Bitewing, meet the SUPER-PETS--and you might want to hold on tight because things are about to get hairy! Also featuring--stories of misch-woof and mutt-hem! The dark side of the dog bed! The many pets of Damian Wayne! You'll have to squeak it to believe it!

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(Photo: DC)
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(Photo: DC)

Is Nightwing Ending?

DC has already announced "Fallen Grayson", a new story arc that will culminate writer Tom Taylor and artist Bruno Redondo's time on Nightwing. "Fallen Grayson" will be a five-part arc beginning in Nightwing #114, which will be available wherever comics are sold on Tuesday, May 21st. In it, the culmination of Heartless's sabotage on Nightwing reaches its dramatic climax when Nightwing loses his ability to leap, impeding his duties to be the superhero we know and love.

"We're pretty damn proud of our guy," Taylor revealed. "and I'm very proud of our whole team on our 40+ issues of Nightwing. Everything we've worked on since issue #78 has been leading to this story. The villain, Heartless (working with Tony Zucco--the man who killed Dicks' parents), has planned what comes next for a very long time. He has watched a city changed for the better by one hero, and he has waited for the moment when tearing out the heart of Bludhaven would hurt the most. Bruno and I wanted to put Nightwing on a pedestal. We wanted to show how high this flying Grayson could soar. Now, it's time for him to fall."

As mentioned above, Super-Pets Special: Bitedentity Crisis #1 will be released wherever comics are sold on Wednesday, July 30th.

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Superman & Lois: The CW Exec Teases "Emmy Worthy" Final Season https://comicbook.com/tv-shows/news/superman-lois-the-cw-final-season/ Fri, 17 May 2024 02:16:00 +0000 Jenna Anderson a35b8015-c5b6-48a3-b8ab-43154769fdf1

After a lengthy hiatus, Superman & Lois is about to turn to our screens. The CW's DC series has been renewed for a fourth and final season, which was recently revealed to be debuting Thursdays this fall. While plot details around the final season of Superman & Lois remain largely under wraps, it sounds like it will be more than worth the wait. In a recent interview with TVLine, The CW's President of Entertainment Brad Schwartz offered high praise for the final season of Superman & Lois, teasing that the show's remaining episodes are "f-cking awesome."

"I have watched nine of the 10 episodes and [they are] f-king awesome," Schwartz revealed. "It is weekly event television. Greg Berlanti and the producers have constructed 10 bangers. They really go for it. I've cried twice watching [the first nine episodes], and I haven't even gotten to the finale yet. It's Emmy-worthy. And, by the way, you can watch this final season without having watched the previous [seasons] and still be emotionally invested in what is happening. It's a wonderful, 10-episode, contained arc."

When Will Superman & Lois' Final Season Air?

It has been confirmed that Superman & Lois' final season will air at some point in 2024, after the final batch of episodes were already delayed due to last year's Hollywood strikes. Superman & Lois will be, for the foreseeable future, the final DC TV show to air on The CW, a trend that began with Smallville all the way back in 2001.

"Over the last three seasons, SUPERMAN & LOIS redefined both the superhero genre and family drama as Tyler, Elizabeth and the entire cast effortlessly portrayed these classic characters with new layers of depth and complexity that had never before been explored in the Superman universe," said Brad Schwartz, President of Entertainment, The CW Network. "We are grateful for the years of hard work and graceful storytelling from the show's writers, producers, actors and crew, as well as our terrific partners at Warner Bros. Television and Berlanti Productions. As Superman embarks on his final flight, the team is leaving us with an absolutely epic 10-episode must-watch-every-minute farewell to one of the most legendary CW families ever."

"While we're sad to say goodbye to SUPERMAN & LOIS at the end of Season Four, we're grateful for the time we've had with our amazing cast, crew, vfx teams, editors, musical geniuses, and writers. Since the day this show was first discussed, it was about family. And that's what was created-on and off screen," said executive producers and co-showrunners Todd Helbing and Brent Fletcher. "We'd like to thank our partners at Berlanti Productions, DC, WB and The CW for their endless support and enthusiasm during this journey...and give a very special thank you to all the fans for tuning in. We're thrilled about what we have in store in our final season, and can't wait for everyone to watch as Superman, Lois and all our heroes face off against the biggest threat in the show's history-Lex Luthor."

Who Will Return for Superman & Lois Season 4?

Superman & Lois was just one of four original shows that The CW renewed for the 2023-2024 season, in addition to Walker, All-American, and All-American: Homecoming, amid a slew of programming changes made by its new parent company, Nexstar. Shortly after the Season 4 renewal, it was confirmed that the show would be trimming down its cast of series regulars, with Dylan Walsh (Sam Lane), Emmanuelle Chiriqui (Lana Lang), Erik Valdez (Kyle Cushing), Inde Navarette (Sarah Cushin), Wole Parks (John Henry Irons), Tayler Buck (Natalie Irons), and Sofia Hasmik (Chrissy Beppo) all demoted to recurring or guest star roles.

As a result, Tyler Hoechlin (Clark Kent / Superman), Elizabeth Tulloch (Lois Lane), Michael Bishop (Jonathan Kent), and Alex Garfin (Jordan Kent) in their series regular roles for Season 4. Additionally, Michael Cudlitz has been promoted to a series regular role for his portrayal of Lex Luthor, and Douglas Smith as Jimmy Olsen.

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2024 Eisner Award Nominees Revealed https://comicbook.com/comics/news/2024-eisner-award-nominees-revealed/ Thu, 16 May 2024 21:39:00 +0000 Timothy Adams d9ecb9af-84f1-4275-b5b6-e47d9da0a279
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DC Reveals Superman vs. Muhammad Ali Collectors' Edition First Look (Exclusive) https://comicbook.com/comics/news/dc-reveals-superman-vs-muhammad-ali-collectors-edition-first-look-exclusive/ Thu, 16 May 2024 16:29:00 +0000 Matthew Aguilar 7e45c33c-02b0-486c-af40-48175bcb63cd

One of the most iconic battles in DC history is back with a new collector's edition, and we've got your exclusive first look! In 1978 fans were introduced to one of the most unexpected throwdowns ever in Superman vs. Muhammad Ali, who were battling in order to determine who humanity's Champion would be against an alien race named the Scrubb. To celebrate that fight, DC is releasing Superman vs. Muhammad Ali Collectors' Edition Facsimile Edition, which will present the battle In 14' x 10' format and will feature Neal Adams' gorgeous wraparound cover as well as a special Foil variant, and you can check it out in the image below.

As you can see in the image, the cover remains as iconic as ever, and features a host of familiar faces (and favorite comic creators) in the crowd. Both editions will include 72 pages, with the standard edition retailing for $14.99 and the variant edition retailing for $17.99. You can check out the cover and the official description below.

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(Photo: DC)

Superman vs. Muhammad Ali Collectors' Edition Facsimile Edition
On Sale August 27
Written by DENNIS O'NEIL
Art by NEAL ADAMS and DICK GIORDANO
Cover by NEAL ADAMS
Foil variant cover by NEAL ADAMS
$14.99 US | 72 pages | Variant $17.99 US

The greatest heavyweight prizefight in the history of comics is returning in a full-size tabloid (14' x 10') facsimile edition!

With a space armada threatening to destroy the Earth if it loses a contest against the evil Rat'lar's chosen fighter, Superman and Muhammad Ali must first box each other to determine humanity's champion for that intergalactic bout. Includes the iconic wraparound cover by Neal Adams with a who's who of famous people (and comic book creators) in attendance at the fight of the century, also available as a foil variant at participating comic book retailers.

You can check out the cover for the Superman vs. Muhammad Ali Collectors' Edition Facsimile Edition above, and it will hit comic stores on August 27th.

Are you excited for Superman vs. Muhammad Ali? You can talk all things comics and DC with me on Threads and Twitter @mattaguilarcb!

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McFarlane Toys DC Multiverse Cyborg Superman Figure Is On Sale Now https://comicbook.com/comics/news/new-mcfarlane-toys-dc-multiverse-new-52-cyborg-superman-may-16/ Thu, 16 May 2024 16:03:00 +0000 Sean Fallon b3594f62-474b-40d5-b959-a7afe3576d10 What's next for McFarlane Toys DC Multiverse lineup? The awesome looking Cyborg Superman figure pictured below. The figure is not based on the classic Hank Henshaw Cyborg Superman, rather the New 52 Zor-El (aka Supergirl's father) incarnation of the character, who was transformed into an extremely powerful cyborg by Brainiac. Pre-orders for the New 52 Cyborg Superman McFarlane Toys figure are available now here at Entertainment Earth (free US shipping on orders $79+) and here on Amazon. The figure includes a flight stand and collectible art card.

"After Flashpoint, Superman's uncle Zor-El, escaped Krypton's destruction, thanks to Collector of Worlds Brainiac. Subjected to cybernetic augmentations that deranged his personality, Zor-El became Cyborg Superman--Brainiac's scout for a stronger species in the universe. He attempted to conquer Earth, battling Superman and his own daughter Kara Zor-El, but somehow escaped the black hole doom that befell Brainiac. Also surviving the Rebirth event, Cyborg Superman reanimated the dead Krytponians of Argo City and again attacked Earth, only to be defeated by Supergirl and Superman."

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In other McFarlane Toys news, last week saw the release of several new figures, including a new Tim Drake Robin, a Batman vs Bane 2-pack, and a Batman Hush Sketch Edition Gold Label exclusive in the DC Multiverse lineup. There's also a Batman '66 wave in their DC Retro collection. Details about the figures can be found below.

  • DC Multiverse Batman Hush Sketch Gold Label 7-Inch Scale Action Figure - Limited to 4800 Pieces ($29.99) - Entertainment Earth Exclusive / Available Now: "The Caped Crusader plummets from the pages of Batman: Hush with sketch-edition deco! Batman comes with extra hands, 2 batarangs, display base, and card stand. Also included is an exclusive art card featuring Batman on one side and a numbered certificate of authenticity on the other. Fully articulated, the black-and-white Dark Knight is showcased in designer window-box packaging with an exclusive card stand and a Batman logo display base."
  • DC Retro Batman 1966 6-inch Action Figures ($19.99 each) - See at Entertainment Earth / Amazon: The wave includes Nightwing, Alfred, Bookworm, Space Batman, and Wax Robin in a mix of figures inspired by the comics and the classic TV show. There's also a Batman 66 - Batmobile with Joker Gold Label set that you can find here on Amazon now.
  • DC Direct DC Designer Series Batman by Dan Mora Resin Statue ($249.99) - See at Entertainment Earth / Amazon: "From the pages of Detective Comics #1045, comes the next stunning DC Designer Series statue featuring Dan Mora's take on the caped crusader. This dynamic piece, features Batman flying through the air over the streets of Gotham City. Great sculptural detail highlights the cape and striking pose. Standing at approximately 15 1/2-inches tall, this limited edition resin statue is a must have for any Batman collector. Statue is in 1:6 scale."
  • DC Multiverse Batman vs Bane / Batman: Knightfall 2-pack - See at Entertainment Earth / GameStop / Amazon
  • DC Multiverse Tim Drake Robin 7-inch Scale Action Figure - See at Entertainment Earth / Amazon: Note that this figure is an upgrade to the Tim Drake Robin that was released last year.
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Finally, pre-orders for the DC Multiverse Batman: Futures End Jokerbot figure launched recently as a standalone, Gold Label, glow-in-the-dark version of a Target exclusive Build-A-Figure from a few years back. This time around, it's an Amazon exclusive that you can pre-order right here for $29.99 with a release date set for July 26th.

It's a crazy figure from a really intriguing 2014 DC storyline in which Bruce Wayne is merged with the Joker to form a cyber soldier. That's why you'll find the Joker's visage on one side of the head of this figure and Batman's on the other. In addition to the glow-in-the-dark paint, the figure will also include and art card and a base.

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Superman & Lois Final Season Fall Time Slot Revealed https://comicbook.com/tv-shows/news/superman-lois-final-season-4-release-premiere-date-time-cw-schedule-2024/ Thu, 16 May 2024 14:34:00 +0000 Kofi Outlaw 658aeedd-16e0-419f-96fb-ffe4aa86a095

Superman & Lois' Final Season now has its official time slot for the upcoming Fall Season. DC fans will be able to catch Superman & Lois Season 4 on Thursday nights at 8 pm ET. The show will be paired with the sequel series The Librarians: The Next Chapter, which will follow at 9 pm ET.

Superman & Lois seems to be going out on its highest note yet: the series has steadily gained attention and hype after The CW started streaming seasons on Netflix. The show premiered in 2021, shortly after Arrow ended its run. Superman & Lois was born out of the multiverse-altering events of The CW's Supergirl series, and the Arrowverse crossover event, Crisis on Infinite Earths. Supergirl first introduced us to the version of Clark Kent played by Tyler Hoechlin, later introducing his Superman persona, while Bitsie Tulloch became the new Lois Lane. After Crisis, the Superman & Lois series established a rebooted timeline, in which Superman and Lois are married and parents to a pair of twin teenage sons.

Although that concept for a Superman story was seen as more radical in 2021, Superman & Lois has arguably helped push the entire Superman character and mythos (including comics) into a new era of Superman and Lois similarly being parents to a son (Jonathan Kent), and surrogate parents to an entire Superman Family (Supergirl, Connor Kent, Kong Kenan, Steel, etc...). Moreover, Superman & Lois has earned its acclaim for being the first Superman-based series since Smallville to successfully bring a vision of the Man of the Steel to live-action - and it actually delivered the full-fledged Superman costume and action experience Smallville wasn't able to.

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(Photo: The CW)

Superman & Lois star Bitsie Tulloch recently made an impassioned post commemorating the final days of filming on the series:

How lucky am I, to have been able to inhabit this woman's bones, and brain, and heart, for the last 6 years, 4 of which were on #supermanandlois.

Lois Lane has been an icon for as long as Superman has because of her fierceness, her work ethic, her determination, her playfulness, her commitment to finding the truth no matter the cost.

Thank you to our creator Todd Helbing, co-showrunner Brent Fletcher, all of our writers and producers and post-production team, our incredible VFX department... And to our on-set crew: #SupermanAndLois was a big, beautiful, epic show and it wouldn't have happened without each and every one of you. Thank you thank you thank you. I already miss you all so much.

Thank you to our wonderfully amazing cast - but mostly to @tylerhoechlin. My Superman. I am so grateful for your talent, your work ethic, and your commitment to making me laugh. I wish the best of luck to @jamesgunn and the rest of his cast and crew, and especially to @rachelbrosnahan - I'm sure you will be a wonderful Lois and I can't wait to see what you do with the role. Have so much fun - I know I did.

I'll be grateful til the day I die that I had these few years to wake up every day and be

Lois. Lane.

Superman & Lois Season 4 will premiere this Fall on The CW.

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The CW Reveals Fall Schedule https://comicbook.com/tv-shows/news/the-cw-reveals-fall-schedule/ Thu, 16 May 2024 14:28:00 +0000 Russ Burlingame 9f10138b-0282-4a0a-8f93-187d28e68401

The CW Network today revealed its 2024-2025 fall lineup, as well as some midseason shows. Among the shows named are the final season of Superman & Lois and the first season of The Librarians: The Next Chapter, which hails from The Librarians and Leverage producer Dean Devlin. This is the first time CW Network has had a 7-day schedule of original programming, although a lot of that content will be unscripted, with wrestling, CW Sports, and game shows based on Trivial Pursuit and Scrabble snagging spots on the schedule. The sports lineup will feature the network debuts of WWE NXT, Pac-12 college football and the NASCAR Xfinity Series.

"The Fall 2024 season is another leap forward in the bold transformation of The CW Network, as we continue building a media brand with broadcast at its core," said Brad Schwartz, President of Entertainment, The CW Network. "The CW is currently enjoying three consecutive quarters of growth and we are looking forward to a fall schedule that is stronger than ever, starting with a brand-new game night featuring Trivial Pursuit and Scrabble -- two games families have enjoyed for decades and hosted by fan-favorites LeVar Burton and Raven-Symone?. We have new seasons of returning hit scripted series Sullivan's Crossing and Superman & Lois, whose final season is weekly can't-miss event television. Our scripted lineup continues to grow with Joan, starring the brilliant Sophie Turner, and The Librarians: The Next Chapter.

"We'll also have more live sports than ever before with the addition of WWE NXT, the NASCAR XFinity Series, and Pac-12 football alongside second seasons of LIV Golf, INSIDE THE NFL, ACC football and ACC basketball. Anchored by 500 hours of sports in 2025, we continue to get bigger and broader while reaching and growing our audience across broadcast, streaming and local."

You can see a full breakdown of the schedule (as well as synopses for new series Joan, The Librarians: The Next Chapter, Scrabble, Trivial Pursuit, WWE Next, Good Cop/Bad Cop, and Sherlock & Daughter.

THE CW'S 2024 FALL PRIMETIME SCHEDULE

MONDAY

8:00-9:00PM TRIVIAL PURSUIT (New Series)
9:00-10:00PM SCRABBLE (New Series)

TUESDAY

8:00-10:00PM WWE NXT (Network Debut)

WEDNESDAY

8:00-9:00PM SULLIVAN'S CROSSING (Season 2)
9:00-10:00PM JOAN (New Series)

THURSDAY

8:00-9:00PM SUPERMAN & LOIS (Season 4)
9:00-10:00PM THE LIBRARIANS: THE NEXT CHAPTER (New Series)

FRIDAY

8:00-8:30PM WHOSE LINE IS IT ANYWAY? (Season 13)
8:30-9:00PM WHOSE LINE IS IT ANYWAY? (Original Episode)
9:00-10:00PM INSIDE THE NFL (Season 2)

SATURDAY

CW SPORTS SATURDAY

SUNDAY

7:00-10:00PM THE CW SUNDAY MOVIE NIGHT

THE NEW FALL 2024 SERIES:

JOAN

Sophie Turner ("Game of Thrones," "X-Men: Dark Phoenix," "The Staircase") stars as notorious jewel thief Joan Hannington in this exhilarating yet emotional story set against the vibrant backdrop of the 1980s - an era known for its bold fashion trends, iconic music and cultural shifts. The series opens with Joan, a fiery and uncompromising woman in her twenties who is deeply scarred and vulnerable. She is a devoted mother to her six-year-old daughter, Kelly, but is trapped in a disastrous marriage with a violent criminal named Gary. When Gary goes on the run, Joan seizes the opportunity to create a new life for herself and her daughter. Joan becomes a masterful jewel thief. She embarks on a thrilling, high-stakes journey that challenges her every limit, driven by her desire to care for her daughter and create a secure home for them both. Through her sharp intelligence, charm and talent for impersonation and performance, we follow the twists and turns in Joan's life, the ups and downs, the heartache and the joy that makes this story so compelling to follow. Turner stars alongside Frank Dillane ("Fear the Walking Dead") as Boisie, a London antiques dealer. Kirsty J. Curtis ("Match Not Found") plays Nancy, Joan's older sister and salon worker while Gershwyn Eustache Jr. ("I May Destroy You") portrays Albie, an old acquaintance of Boisie who's made a new life in Spain with his wife Val, played by Laura Aikman ("The Split").

JOAN is written by acclaimed screenwriter Anna Symon ("The Essex Serpent") and directed by BAFTA award-winner Richard Laxton ("Rain Dogs"). The series is from Snowed-In Productions and executive produced by Ruth Kenley-Letts ("Stonehouse"), Jenny Van Der Lande ("Too Close"), Neil Blair ("The Midwich Cuckoos") and Richard Laxton. JOAN has been commissioned for ITVX by Head of Drama Polly Hill. The series is produced in association with All3Media International and The CW Network.

THE LIBRARIANS: THE NEXT CHAPTER

THE LIBRARIANS: THE NEXT CHAPTER is a spinoff of the original TV series "The Librarians," which followed the adventures of the custodians of a magical repository of the world's most powerful and dangerous supernatural artifacts. The new series centers on Vikram (Callum McGowan), a "Librarian" from the past, who time traveled to the present and now finds himself stuck here. When he returns to his castle, which is now a museum, he inadvertently releases magic across the continent. He is given a new team to help him clean up the mess he made, forming a new team of Librarians. The series stars Callum McGowan as Vikram Chamberlain; Jessica Green as Charlie Cornwall, the Guardian; Olivia Morris as Lysa Pascal, The Scientist and Bluey Robinson as Connor Green, the Historian. Dean Devlin serves as Showrunner and executive producer alongside Marc Roskin and Rachel Olschan-Wilson of Electric Entertainment. Noah Wyle also serves as executive producer. Mark Franco of Electric Entertainment and Jonathan English of Balkanic Media also produce.

SCRABBLE

SCRABBLE is a captivating, fast-paced take on the global board-game phenomenon. In each episode, wordsmiths battle it out over a series of addictive word games of skill and strategy to win points and master a giant Scrabble board in the center of the set. Hosted by fan-favorite actor, singer, producer and director Raven-Symone?, SCRABBLE is produced by Hasbro Entertainment, The CW, Mattel Television Studios and Lionsgate Alternative Television. David Garfinkle, Gabriel Marano and Michelle Mendelovitz serve as executive producers.

TRIVIAL PURSUIT

The beloved trivia game TRIVIAL PURSUIT is reimagined in a question-packed entertainment format. Gameplay takes place on a giant version of the iconic Trivial Pursuit game board, as contestants battle it out over a range of play-along question categories to win wedges and beat each other to the center. The victor then takes on a dramatic finale against the clock to claim the big money jackpot. Hosted by Emmy(R) Award-winning actor, director, producer and podcaster LeVar Burton, TRIVIAL PURSUIT is produced by Hasbro Entertainment, The CW, Lionsgate Alternative Television and Talpa Studios. David Garfinkle, Gabriel Marano, John De Mol, Matt Walton and Matt Pritchard serve as executive producers.

WWE NXT

Launched by WWE Chief Content Officer Paul "Triple H" Levesque, WWE NXT has aired weekly since 2012 and features the brightest young talent in sports entertainment. Nearly 90% of the participants in last year's WrestleMania were developed under the NXT banner. Led by WWE Hall of Famer Shawn Michaels, NXT is popular with younger audiences, ranking No. 1 in cable primetime on Tuesday nights among Adults 18-49 and 18-34. WWE Superstars such as Roman Reigns, Seth Rollins, Charlotte Flair and Becky Lynch have come up through NXT.

THE NEW MIDSEASON 2025 SERIES:

GOOD COP/BAD COP

GOOD COP/BAD COP is a one-hour procedural dramedy centered around Lou (Leighton Meester, "Gossip Girl") and Henry (Luke Cook, "Katy Keene," "Chilling Adventures of Sabrina"), an odd couple sister and brother detective team in a small Pacific Northwest police force. They must contend with colorful residents, a serious lack of resources, and their very complicated dynamic with each other and with their police chief, Big Hank (Clancy Brown, "Dexter: New Blood," "Billions")-who happens to be their father. From Future Shack Entertainment and Jungle Entertainment for commissioning broadcasters The CW Network and The Roku Channel in the United States and Stan in Australia, GOOD COP/BAD COP is written and executive produced by John Quaintance with Jeff Wachtel, Trent O'Donnell ("Ghosts") and Chloe Rickard serving as executive producers. Trent O'Donnell also serves as director with Phil Lloyd set as co-executive producer. GOOD COP/BAD COP is produced in association with and distributed by ITV Studios. The production is supported by the Queensland Government through Screen Queensland's Production Attraction Strategy.

SHERLOCK & DAUGHTER

The mystery thriller series SHERLOCK & DAUGHTER puts Sherlock Holmes (David Thewlis, "Fargo," The Artful Dodger") out of his comfort zone, mysteriously unable to investigate a sinister case without risking the lives of his closest friends. Enter: young American Amelia (Blu Hunt, "The Originals," "The New Mutants"). After her mother's mysterious murder, she learns her missing father may be the legendary detective. Despite wildly different backgrounds and attitudes, the pair must work together to solve a global conspiracy, crack her mother's murder, and find out for sure if she really is Sherlock's daughter. International Emmy(R) Award-winning Dougray Scott ("Batwoman," "Crime") also stars as Holmes' nemesis, Moriarty. From Starlings Television Distribution, Albion Television and StoryFirst, SHERLOCK & DAUGHTER is led by showrunner and executive producer James Duff ("The Closer," "Major Crimes") and is created, written and executive produced by Brendan Foley ("Cold Courage," "The Man Who Died"). Micah War Dog Wright ("They're Watching," "First Nations Comedy Experience") and Shelly Goldstein ("Cold Courage," "Laverne & Shirley") join Duff and Foley as writers on the series. Karine Martin, Chris Philip, Peter Gerwe, Dominic Barlow and Ivan Dunleavy also serve as executive producers.

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DC Reveals Ramona Fradon Tribute Story https://comicbook.com/comics/news/dc-ramona-fradon-tribute-story/ Thu, 16 May 2024 01:41:00 +0000 Jenna Anderson 22a674ab-c130-4bb0-9d07-bb1237a99e00

DC is paying tribute to legendary comic artist Ramona Fradon, following her passing in February. The publisher has unveiled a two-page story honoring Fradon and her work across the DC Universe, titled "Ramona & Me". "Ramona & Me", which is being published in DC's May 14th books, is written by DC editor Brittany Holzherr with art by June Brigman and Roy Richardson. The story sees Holzherr recount some of her memories of Fradon, including bonding over one of her creations, Rex Mason / Metamorpho, heading to the big screen in 2025's Superman movie.

"Ramona's body of work entertained generations of comics fans who grew up on her artistry on The Brave and the Bold, Aquaman, Super Friends, and more," Jim Lee said in a statement. "Not only did she co-create Aqualad--she also brought into this sad, gray world arguably one of the most colorful, odd, and powerful superheroes in the DC Universe in Metamorpho--a character who always freaked me out when I was a young kid reading DC Comics! Even after recently retiring this year at the sage age of 97, Ramona's passion for comics never waned, as her presence was a highlight at many comic cons. Ramona's legacy is one of creativity, dedication, and timeless characters. Rest in power, Ramona. Your work, creations, and influence will live on!"

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(Photo: DC)
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(Photo: DC)

Fradon had a prolific career in the comic space, spanning from her debut in 1950 through her retirement in 2024. This largely included work at DC, which included co-creating Metamorpho and Aqualad and illustrating Plastic Man, Freedom Fighters, and Super Friends. She then took over as artist on the strip Brenda Starr, Reporter, from 1980 through 1995. She officially retired rom the industry just prior to her passing, after years of doing commissions and sketch art.

"After an extremely long run in the comic industry, at 97 Ramona has decided it's time for her to retire," Catskill Comics shared in January about Fradon's retirement. "She will no longer be doing commissions. She apologizes to all the fans who have been waiting patiently on her wait list to get one. She did say though from time to time she'll do a drawing or two to put up for sale on the website."

Who Is DC's Metamorpho?

Created by Bob Haney and Ramona Fradon in The Brave and the Bold #57, Rex Mason is an adventurer and archaeologist who accidentally gets exposed to a radioactive meteorite and turned into Metamorpho, the Element Man. Able to shape-shift into virtually any element or combination of elements, Metamorpho uses his powers to fight alongside The Outsiders, the Justice League, and The Terrifics. The character will be played by Anthony Carrigan in James Gunn's Superman movie.

"I certainly think that at least in the source material, Metamorpho, when he was transformed into his superhero state, I think he was very reluctant to have it because he felt like he was a freak and he felt like he was no longer who he was," Carrigan explained in an interview last year. "I can certainly kind of relate to that, in terms of my alopecia. So, that's definitely something that I'll be channeling and am excited to bring to the character itself."

"Especially with something of this magnitude, it can be very easy to get in your head and get psyched out," Carrigan added. "But at the end of the day, you just try to find truth with the character, and align yourself as much as you can with what you're saying, and try not to forget your lines."

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DC Super Powers Toy Line Inspires New Variant Covers https://comicbook.com/comics/news/dc-super-powers-toy-line-inspires-new-variant-covers/ Wed, 15 May 2024 16:00:00 +0000 Jenna Anderson f288d9aa-4d4e-4e9b-b906-0b96bb849c63
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Comic Book Reviews for This Week: 5/15/2024 https://comicbook.com/comics/news/new-comic-reviews-dc-marvel-image-may-15-2024/ Wed, 15 May 2024 15:00:00 +0000 Chase Magnett 693dda65-7a93-4c6b-8b0b-2c39b4bf166f
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Welcome to this week in comic book reviews! The staff have come together to read and review nearly everything that released today. It isn't totally comprehensive, but it includes just about everything from DC and Marvel with the important books from the likes of Image, Boom, IDW, Dark Horse, Dynamite, and more.

The review blurbs you'll find contained herein are typically supplemented in part by longform individual reviews for significant issues. This week that includes Doom #1, Outsiders #7, and Monolith #1.

Also, in case you were curious, our ratings are simple: we give a whole or half number out of five; that's it! If you'd like to check out our previous reviews, they are all available here.

DC #1

ACTION COMICS #1065

Action Comics #1065 sees Superman and Lobo fight some Czarnians while Supergirl and Superboy try to take on Brainiac on his ship by teaming up with Parasite and Livewire. Both pieces of the story are interesting as we get interesting teamups in both, but it's the action on Brainiac's ship and what that reveals about the villain's plans that is particularly interesting. Livewiare and Parasite show specific growth as they team up to help the Supers which makes for an interesting path forward. There's also a twist at the end when it comes to the Lobo and Superman of it all that sets the stage for what should be an interesting next chapter in that unlikely team up. There's a ton of action here which keeps everything moving very well even though there's a lot to get through. There's no sacrifice of character moments, either which makes this very well done over all. -- Nicole Drum

Rating: 3.5 out of 5

BATMAN/DYLAN DOG #3

The final issue of Batman/Dylan Dog only leaves me with one question as a reader: When might we see artists Gigi Cavenago and Werther Dell'edera tackle this iconic duo again? From London to Hell to Gotham City, it has captured the essence of both its' heroes homes in fantastic fashion and infused their story with gripping suspense and creeping horror. As Killex returns to the mortal plane, visions of his eyes haunt the page and create a compelling contrast to the stunning splash pages that define both character and place. Whereas many modern splashes fall flat with minimalist backgrounds or too-familiar framings, each big image in Batman/Dylan Dog is bound to thrill readers with lush colors and imaginative visuals. It fills both quiet conversations between Dylan Dog and his new companions in Gotham and big, bloody action sequences with significance. Writer Roberto Recchioni doesn't waste a single line, quickly advancing the story across multiple act breaks and dramatic shifts in fine, compressed fashion. The result is a thrilling read that speaks to the heroic qualities found in its leading men and the pure joy of reading a great adventure tale told by such talented artists. -- Chase Magnett

Rating: 4.5 out of 5

BATMAN AND ROBIN #9

Batman and Robin finally delivers on the mystery Damian's been trying to solve at his school as to who the principal really is and does so while tying it to the larger story involving Man-Bat and what's going on with Bruce. It's genuinely very well done in that it connects both stories and brings father and son back together again to dealing with largely the same issue all while elevating the stakes even as it ties up a few loose ends along the way. I don't love the art in this issue as it feels a little uneven and inconsistent at times, but the story more than makes up for it as all the pieces start to fall into place. -- Nicole Drum

Rating: 4 out of 5

BATMAN AND ROBIN AND HOWARD #3

It's about time the feud between Damian and Howard escalated. I did like that it was done in a way that didn't make either boy look bad. They're kids after all, and jealousy comes with the territory. Damian is trying to adjust to being the new kid at school, while Howard is afraid of losing his spot at school. Batman is pretty much a secondary character, as we check on him periodically. Damian and Howard make better friends than enemies. -- Tim Adams

Rating: 4 out of 5

BLUE BEETLE #9

Blue Beetle has consistently been one of DC's best looking comic books for a while now, but it's kind of absurd what Adrian Gutierrez, Will Quintana, and Lucas Gattoni are able to accomplish in Blue Beetle #9. It dazzles on every single page, all while switching up the perspective and delivering action scenes that feel alive with motion and style. Blue Beetle is drop dead gorgeous, but it's also apt at conveying the myriad of emotions that Victora Kord's self-made chaos has created, and Josh Trujillo wrings all the drama out of every scene to send that point home. Just when you think you know where things are headed, the book finds a novel way to twist your expectations. Blue Beetle absolutely rules, and you're missing out if you're not along for the ride. -- Matthew Aguilar

Rating: 5 out of 5

DC #2

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(Photo: DC)

GREEN LANTERN #11

While the rebellion on OA plays a major factor in Green Lantern #11, it's actually what's happening on Earth that makes the biggest impression. Jeremy Adams puts the relationship between Carol Ferris and Hal Jordan front and center, and the trip back through time is a necessary one, once again establishing how long they've done this dance and how much Hal still means to Carol. That said, this is done without casting any sort of Judgment on Carol's current course of action, and knowing their history, it's understandable why she would want to move on despite the connection they share. Xermanico's artwork continues to be simply gorgeous, and Amancay Nahuelpan's work in the flashbacks is stellar as well, with Romulo Fajardo Jr's lovely colors at work in both the past and present. That's one hell of an ending hook as well, which leads into the equally delightful Guy Gardner story that happens to also tie into House of Brainiac. This team-up has already produced several hilarious moments, and Kevin Maguire, Rosemary Cheetham, and Dave Sharpe's amazing work accentuates those comedic beats brilliantly. Green Lantern once again delivers across the board, and things only seem to be getting better from here. -- Matthew Aguilar

Rating: 4.5 out of 5

OUTSIDERS #7

[READ THE FULL REVIEW HERE]

Outsiders has been subverting reader expectations from the second it launched - weaving from the threats Kate Kane and Luke Fox are investigating to the fact that they aren't the sole focus of the series' story. While that approach might not be for every reader, Outsiders #7 is a valiant and largely-successful example of how it can be made to work. Even if Outsiders doesn't have a massive impact on the canon of the DC universe when all is said and done, I'm at least thankful that it is reframing how I look at those stories. -- Jenna Anderson

Rating: 4.5 out of 5

RED HOOD: THE HILL #4

I feel like the introduction of Batman to Red Hood: The Hill weakens the overall story, largely because there's a big bit of off-panel handwaving that gets done on Batman's part that reverses the climactic parts of the previous issue which generally makes everything from said previous issue feel pointless. And it is that sense of "does anything actually matter here?" that feels pervasive in the overall issue. With the Watch not actually as down and out as the previous issue made it seem, this issue takes another approach to make another character the target only for there to be yet another daring save. It feels almost like the story doesn't know exactly where it wants to go when it comes to the action-oriented parts of things, but on the more personal level, the story between Karlee Jr and his father and what is going on behind the scenes there is starting to catch fire more. -- Nicole Drum

Rating: 3 out of 5

SINISTER SONS #4

The Sinister Sons continue to be the oddball odd couple that helps fill the void left by Damien Wayne and Jonathan Kent. Tomas and Georgiev are able to take the approach of throwing everything and the kitchen sink at the sons of Zod and Sinestro to great effect. While this doesn't break the wheel or perfect it, Sinister Sons offers a fun, unexplored side of the DC Universe that works well in throwing the unexpected at readers. Now that a certain element has been added to the mix with its final page, it will be interesting to see how Lor-Zodd and Sinson react to encountering one of the DCU's biggest threats. -- Evan Valentine

Rating: 3.5 out of 5

SUICIDE SQUAD: DREAM TEAM #3

The Suicide Squad and Amanda Waller have often been defined as morally ambiguous, but Suicide Squad: Dream Team doesn't leave any question about their nature as here, Waller and her Squad are definitely the villains. Waller presents the hegemonic power of empire as she instigates coups to create new client-states and riles up xenophobic hatred to her own political end. Meanwhile, the prisoners of the Squad are left to spin as cynical cogs in her game, understanding their role but unable to change it. All of that is addressed on the surface of Suicide Squad: Dream Team as Dreamer calls out the obvious evils of their mission only to be met with shrugs. It's bound to resonate with readers watching the United States engage in grisly wars abroad and mass incarceration at home; even if it lacks in nuance the emotional heft of the scenarios and imagery is undeniable. Dreamer's presentation in classic heroic poses juxtaposed with the ugliness filling the rest of the issue makes for a strong contrast, even if some action sequences feature just-too-muddy inks. Dream Team may not be subtle, but it's returning the Squad to its geopolitical roots and finding plenty of strength in that vein of stories. -- Chase Magnett

Rating: 3.5 out of 5

Marvel #1

ALIENS: BLACK, WHITE & BLOOD #4

The Alien: Black, White & Blood anthology concludes with another set of unique chapters for the franchise. Anchoring it all of course is the final piece of the Utopia storyline from writers Collin Kelly & Jackson Lanzing and artist Michael Dowling which is the best thing done with the Alien license ever since it came to Marvel Comics, a bold and daring narrative that is as heavy as it is scary. "Hide & Seek" by Bryan Hill and Chriscross is its weakest story, though still fun in its own right. Finally, "Mother" from Pornsak Pichetshote and Partha Pratim delivers a storyline that is perfect for the format, and terrifying in a totally new way. -- Spencer Perry

Rating: 4 out of 5

ALIEN: WHAT IF...? #3

After thinking he's found the appropriate victim for a face-hugging xenomorph, Burke has a change of heart, which only leads to more mayhem as the parasite escapes containment to find a new host. Knowing his daughter could be at risk, Burke seems to show genuine concern for anyone other than himself, though he might get what he wished for in the least desirable way imaginable. With the first two issues of the series taking care of a significant portion of exposition, this third chapter manages to inject more overt terror and action into the narrative, all while also highlighting why audiences have loved to hate Burke in the beloved Alien sequel. While most Alien comic books inject expected horror and intergalactic carnage into their narratives, this book marks an instance in which we almost wish we got more dialogue and character dynamics than anything else, given how hilariously wormy the story has been in the preceding two issues. Luckily, none of the action or narrative tension is poorly executed, it's just a testament to how fun it has been to see Burke having to survive in a world where karma came back to bite him. Still, we hope that future installments keep Burke front and center and it doesn't devolve into another generic group of characters running from a xenomorph. Still, even if it does resort of that, having Paul Reiser contributing to the project as a writer is making the experience stand out from its peers, marking a worthy expansion of the series. -- Patrick Cavanaugh

Rating: 4 out of 5

THE AMAZING SPIDER-MAN: BLOOD HUNT #1

The Amazing Spider-Man: Blood Hunt follows a trend of sub-par tie-in comics failing to reach even the lowered expectations surrounding them, but it's made all the more disappointing by the outstanding work delivered last week in The Amazing Spider-Man #49 to set up this story. The issue unfolds like a series of video game cutscenes: brief sequences filled with expository dialogue and MCU-style quips are linked together with action sequences. Characters explain one another's personality in word balloons rather than affecting it in actions or attitudes and the stakes fall flat even given the world-ending nature of "Blood Hunt." What's worse is that even the artwork and action fall flat as what's on the page is often mismatched with the dialogue. A priest accuses Spider-Man of failing to use the front door in an outdoor setting; the Lizard is shown charging at Spider-Man in one panel and looming quietly away from him in the next. Many sequences read like pages and words were combined with minimal coordination. The Amazing Spider-Man: Blood Hunt #1 is an affair that can only intrigue the most die-hard event readers or Spidey collectors, as it fails to deliver on the best qualities of either. -- Chase Magnett

Rating: 1 out of 5

CARNAGE #7

Carnage #7 brings the prolonged game of cat and mouse between Carnage and Flash Thompson to a head as the two return from the Darkforce dimension and fight it out. It goes the way these things usually do, with the symbiotes clawing at each other until one gets the upper hand. The issue has several competently done two-page spreads that make this issue feel like a climax to the more methodically paced installments that preceded it. A clever representation of black metal singing by the letterer is a nice touch. The script injects some pathos into the story as Flash, on the brink of death, finally finds his pride. Conversely, the secondary plot involving Liz Allen feels like a deus ex machina and like it's come out of nowhere unless readers have been keeping up with other developments in the symbiote corner of the Marvel Universe, not for the first time. It's a solid enough issue that picks up the pace but can't shake off all the problems plaguing the series. -- Jamie Lovett

Rating: 3 out of 5

DOOM #1

[READ THE FULL REVIEW HERE]

The sweep and scope of Doom #1 is every bit as grandiose as Victor von Doom has always envisioned their own life. Greene's imagery of a future defined by planet-shattering battles and the most fearsome forces of Marvel Comics at war matches those titanic aspirations on each and every page honed to focus on an eponymous character who avoids human attachments. It is a character study that captures both what makes Doom so fearsome and undeniably alluring. For any fan of Doctor Doom, Doom #1 is an obvious triumph that presents this comics icon at their absolute best. -- Chase Magnett

Rating: 4.5 out of 5

MILES MORALES: SPIDER-MAN #20

Good for Miles getting some relaxation and family time with Shift, Ganke, Billie, and Ms. Marvel. While they still had to put their super-powers to good use, it was done and over with quickly. Miles was in desperate need of some downtime. I actually thought this would be a "Blood Hunt" tie-in, but that officially starts next month. Just getting to see our favorite superheroes as regular kids doesn't happen often enough. -- Tim Adams

Rating: 5 out of 5

MS. MARVEL: MUTANT MENACE #3

Kamala's world tour continues as the third issue leans far heavier into the mutant side of things thanks to Ms. Marvel's unnerving opponents. Vellani and Pirzada continue to not only have an excellent grasp on Kamala's character, but the Marvel Universe as a whole and recent events taking place in the comic book continuity. Mutant Menace might be bouncing around Marvel's most well-known locales, but it feels down to Earth when it needs to in seeing the comic book universe through the eyes of Kamala. Some might have been skeptical originally at the idea of Ms. Marvel becoming a part of the X-universe, but Mutant Menace proves it might have been one of the most refreshing things to do with the character in recent memory. -- Evan Valentine

Rating: 3.5 out of 5

Marvel #2

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STAR WARS: MACE WINDU #4

In hopes of getting Azita Cruuz to safety, Mace Windu has put himself in harm's way, while also putting him on a path that saw him colliding with some of the most dangerous forces in the galaxy. The writing and artwork throughout this whole miniseries has been consistently entertaining and engaging, spotlighting why Mace Windu is such a fan-favorite character and what makes him so compelling while not trying to reinvent his role in the franchise. He's wise, resourceful, and skilled in combat, while also keeping a sense of humor about the situations he finds himself in, with this final issue being just as competent as the previous four issues. The thing that holds the book back is also what makes the book so appealing, is that it is ultimately a sidequest for a beloved character that doesn't change our opinions of him or impact the franchise as a whole. By limiting the scope of the story, the experience doesn't get bogged down in the specifics of the rest of the franchise, though these constraints also mean that we'll only ever be given a somewhat entertaining adventure without relatively low stakes. Still, even if this miniseries isn't an overall masterpiece, it's exciting to get to spend this much time with a beloved supporting character from the prequel series that fans can never get enough of. -- Patrick Cavanaugh

Rating: 4 out of 5

ULTIMATE X-MEN #3

Ultimate X-Men #3 provides some heavy lifting for the story ahead after two astounding issues as it introduces Mei's own origin and prepares to expand the cast in rapid fashion. Both of these elements are well presented in their own right with Mei providing an interesting contrast to Hisako in more ways than one. The appearance of further castmates in the final few pages are bound to excite fans of Peach Momoko and Marvel Comics lore alike with some interesting outfits and names delivering a couple more top-notch character designs. Momoko is sure to bring elements of horror again, as well, infusing sequences with both the eldritch terror of darkness found before and the mundane horrors of humanity that give the supernatural its meaning. Taken as part of a greater narrative, Ultimate X-Men #3 delivers several excellent sequences that expand and deepen the series; it's only that they don't necessarily cohere as a singular reading experience in the same way that issues #1 and #2 offered singular experiences. There's no doubt that Ultimate X-Men has set an exceedingly high bar for itself as the single most interesting new Marvel series of 2024 to date and even a transitionary issue like Ultimate X-Men #3 delivers the goods. -- Chase Magnett

Rating: 4 out of 5

VENOM: SEPARATION ANXIETY #1

As to be expected, scribe David Michelinie has come up with a unique plot for a new Venom storyline which, like most of his recent output, feels like a throwback to a specific era of Marvel Comics down to the wordiness of it all (your mileage of course will vary for this 90s nostalgia). Artist Gerardo Sandoval, whose work is elevated with colors by Romulo Fajardo Jr, is the real selling point here as his work with the titular character is the kind of brain-eating material longtime fans pine for. He proved himself with Death of the Venomverse and Venom: Separation Anxiety continues to prove he was made for drawing the brute. -- Spencer Perry

Rating: 3 out of 5

WEAPON X-MEN #4

Weapon X-Men concludes its run with an ending you can see coming a mile away, which doesn't mean the execution is lacking but rather that it makes the entire journey itself feel uninspired. Artist Y?ld?ray ??nar delivers when it counts though, making the action beats fun and interesting, with a twist on the Age of Apocalypse Wolverine that elicited a vocal reaction from yours truly. The series on the whole is one that didn't reinvent the wheel in any respect, in fact it felt like a copy of a copy, though there is one moment of bitter irony in the final pages that is a hoot. -- Spencer Perry

Rating: 2.5 out of 5

WHAT IF...?: VENOM #4

Watching a Venomized Loki torment the Mr. Knight version of Moon Knight in a mental prison is exponentially more interesting than "Hero of the Week but with the Venom Symbiote." I genuinely didn't think What If...?: Venom had this kind of trick up it sleeve, but now I'm left wondering why the hell they didn't start with this. If you haven't picked up this What If...? spinoff up until this point I'd say issue #4 is worth diving into as an entry point. -- Connor Casey

Rating: 4 out of 5

WOLVERINE: MADRIPOOR KNIGHTS #4

Wolverine: Madripoor Knights #4 hits us with the "all is lost moment" after an issue crammed full of action. Personally, this book has always been fighting an uphill battle with me. I have no nostalgia for the original Uncanny X-Men issue it's built off of, I find The Hand to be uninteresting even on their best days (i.e. certain Daredevil runs) and while Chris Claremont's legacy is virtually untouchable, his retro style of writing can be a bit grating when all of the narration is handled by Logan. Still, a fun read is a fun read and this issue manages to hit that mark. -- Connor Casey

Rating: 3 out of 5

X-MEN: FOREVER #4

X-Men: Forever #4 may be the most essential issue of the Fall of X era. Sure, the major events are happening in Rise of the Powers of X and Fall of the Powers of X, but X-Men: Forever #4 brings home many crucial themes threaded throughout some of the best books of the Krakoan age. Leaning heavily on the religious motifs of Immortal X-Men, X-Men: Forever #4 brings Hope's mutant messiah storyline to its most natural conclusion, gives definitive meaning to the "Immortal" in Immortal X-Men, and gives meaning to Krakoa and, perhaps most importantly, its legacy surprisingly and satisfyingly. It also takes on the contentious debate about the morality of the island nation for mutants, somehow feeling definitive while leaving enough gray for thoughtful interpretation. The art conveys the messages satisfactorily, even if the execution could have been a bit more awe-inspiring in certain moments, but while there are still the conclusions to Rise and Fall to come, X-Men: Forever #4 seems poised to be the definitive coda to the Krakoan era. -- Jamie Lovett

Rating: 4.5 out of 5

Other Publishers #1

BRIAR #5

Briar learns that actions have consequences, as her self-righteous adventuring comes back to bite her and her allies. It was pretty obvious that Briar was being set for a fall given her pontificating throughout the episode, although I think that it played into the subversive nature of the comic so far. Not only does Briar learn that her words have literal power, she also learns that not everyone sees her as the heroine of this story. -- Christian Hoffer

Rating: 4 out of 5

THE CABINET #4

I appreciate the simplistic art style of The Cabinet, but it seems like the creative team doesn't quite know how to use that style to its advantage. If anything, the opposite tends to be true. These small frames focused solely on characters make certain elements of the story difficult to grasp. You feel lost so much of the time because there's no frame of reference for much outside of character reactions. It makes for a confusing read, which is frustrating because the comic book looks great. -- Charlie Ridgely

Rating: 2.5 out of 5

DARK RIDE #12

With this issue, the macabre journey of Dark Ride comes to a close, but not before shaking up its horrifying status quo one more time. Joshua Williamson's script is breezy and filled with consequential character moments, even if it leaves a handful of questions unanswered. Andrei Bressan's art delivers gruesomeness and humanity in equal measure, and Adriano Lucas' colors are a treat. I'm sad that Dark Ride is over, but grateful that the series got to end on its own terms in such a bombastic way. -- Jenna Anderson

Rating: 4 out of 5

DARKWING DUCK: JUSTICE DUCKS #3

I don't normally take the opportunity to start a review by commenting on the cover, but Jae Lee's take on Darkwing Duck and Gizmo Duck absolutely demands at least a shining mention in portraying the animated figures. This issue is one of the wildest yet as it sees more than a few whacky, "out of this world" elements put into play as the Justice Ducks just try to enjoy a day at the circus. This Darkwing Duck spin-off remains a light breezy read that takes readers back to the Disney Afternoon era, but it does little aside from that. Ultimately, Justice Ducks would benefit from taking more chances but for those looking for a nostalgia trip to St. Canard, you'd be hard pressed to find a better book out there. -- Evan Valentine

Rating: 3 out of 5

THE DISPLACED #4

Brisson and Casalanguida continue this unique horror story that further delves into what "The Displaced" are in store for now thanks to their current condition. What works so well when it comes to this horror story specifically is the cast of endearing characters across the board. Whether they're using their horrific new status to rob locales or simply trying to come to grips with what's happening, there's something of interest to be found with each plot line. While it might not be as "scary" as other offerings out there in the horror comic field, it's just as compelling if not more so. -- Evan Valentine

Rating: 4 out of 5

FISHFLIES #6

If you had asked me to guess what the root behind Fishflies' mysticism was, it would've taken quite a few guesses before I reached vengeful Celtic witchcraft. Part of me wants to believe it's a bit too late in the game for Jeff Lemire to bring in an explanation this elaborate, but he manages to tie it back to the original crime on a thematic level. Whether or not the story can land with a satisfying ending is another matter entirely. There's only one left, so let's see what he can do. -- Connor Casey

Rating: 3 out of 5

G.I. JOE: A REAL AMERICAN HERO #306

Paul Pelletier takes over art duties in G.I. Joe: A Real America Hero #306. He doesn't have Chris Mooneyham's dramatic flair or detailed textures. However, he can keep up with the series' dense pace, packing each page with overlapping panels without ever feeling overbearing or confusing. Francesco Segala alters the book's color palette to match Pelletier's slightly reigned-in style. The result is a comic that feels even more of a throwback than past issues of the series, with the lightly tanned backgrounds feeling akin to the yellowed pages of an older comic. Larry Hama's dialogue is, as ever, a bit heavy on exposition, and that's especially apparent in this issue as there's little action compared to past issues. Instead, it's heavy on the intrigue as the various factions in the game of espionage begin to enact their secret plans. There are enough villainous groups involved with the plot at this point that there's barely room for the Joes here, and another group seems poised to join in on the fun. Luckily, the tight pacing, rich artwork, and intrigue all hold together, investing the readers in all the intricate machinations that unfold. -- Jamie Lovett

Rating: 4 out of 5

GODZILLA: 70TH ANNIVERSARY #1

Godzilla 70th Anniversary Special #1 is a pitch-perfect example of how to execute an anniversary anthology issue. It pulls together 9 distinctive tales, each of them a complete story unto itself, across 90 pages from a diverse collection of creators and styles. While it is always true that not every story in an anthology will land for every reader, the hit-to-miss ratio in Godzilla 70th Anniversary Special is surprisingly high, even when compared to similar efforts from larger publishers like DC and Marvel. The special opens with a sequel-of-sorts to IDW's beloved Godzilla miniseries The Half-Century War with cartoonist James Stokoe knocking an examination of the Hedorah team's existence out of the park with grandiose visuals and plenty of humor. The rest of the issue ranges between the tragic and comedic with nearly every installment striking a different tone, but the quality of artistry depicting Godzilla is the most consistent aspect. Artists like Natasha Alterici, Geg? Schall, and Sebasti?n P?riz all deliver unique visualizations of kaiju terror, but they also all deliver splash panels and imagery that deliver upon the power promised by Godzilla. Fans of the Japanese monster are bound to enjoy this collection of varied comics talent who make clear why Godzilla still resonates with global audiences 70 years after its first appearance. -- Chase Magnett

Rating: 4 out of 5

Other Publishers #2

GODZILLA VS. THE MIGHTY MORPHIN POWER RANGERS II #2

The sheer scale of Godzilla vs. Mighty Morphin Power Rangers II is quite impressive, and somehow issue #2 raises the ante ten fold. Part of the fun in crossovers like this is just the insane combinations of elements you can come up with, and Cullen Bunn takes full advantage of the Ranger Kaiju toybox at his disposal. Those moments steal the show in both concept and visual style, and artist Baldemar Rivas and colorist Andrew Dalhouse utilize splash pages to great effect. The wrinkles introduced through the ability to travel between worlds give the story a welcome unpredictability, including one particular guest star that you likely won't expect. While those bigger moments are amazing (including one Dragonzord moment that is just gob smacking), some of the pages between those bigger moments look clunky by comparison, and it does take you out of the battle that's happening at times. Still, those flaws can't take the air out of what is a delightfully bonkers adventure, and fans of both franchises will find a lot to enjoy when they give it a chance. -- Matthew Aguilar

Rating: 3.5 out of 5

HEARTPIERCER #1

Heartpiercer wastes no time in setting up our main characters and their conflicts, as we see how one fatal mistake condemns the world to darkness. It's all laid out simply yet effectively, and I do appreciate that as someone jumping into this world with no preconceived notions. I'm curious to learn more about the new abilities Atala gained when she died, and if there's a connection to the unicorn she killed when the issue started. -- Tim Adams

Rating: 3 out of 5

HERCULES #2

Only two issues in, Hercules is beginning to find its footing in an entertaining, albeit not groundbreaking, way. It does strike an interesting dichotomy, as Elliott Kalan's script occasionally feels too wordy for a younger audience, but too conceptually simple for an older audience. George Kambadais' art does a pretty good job of interpolating the art style of the source material, while still adding some extra dimenson. I can't quite say that Hercules is a must-read for Disney fans, but it's still got charm. -- Jenna Anderson

Rating: 3.5 out of 5

HOUSE OF SLAUGHTER #23

Just when you think "The Butcher's War" has hit its high point, the series zooms in on the interpersonal conflicts on both sides of the war to deliver one of its best issues yet. Tate Brombal explores the almost parental dynamic between Jace and Mave in the book's first half, then shifts to the politicking and backstabbing of The Order's fragile alliance of Dragons in the second half, though it's all impressively brought together by issue's end. Both sides of the war are compelling unto themselves, and the tension never lets up. That's also thanks to the brilliant artwork and colors from Antonio Faso and Miquel Muerto, which is especially striking (and slightly disturbing) when Jolie and her... family we'll call them, are center stage. The ingredients for a thrilling final battle are all here, and that confrontation can't come soon enough. -- Matthew Aguilar

Rating: 4.5 out of 5

I HEART SKULL-CRUSHER #3

I Heart Skull-Crusher has yet to hit a rut, but issue #3 is definitely the lowest point of the series so far. It's still a delightful issue packed with hilarious characters, there's just not as much focus on display when it comes to balancing it all in the end. Something gets lost in the shuffle and it doesn't feel quite as complete as the first two issues. There's still a lot to love and the set up for I Heart Skull-Crusher #4 will have you ready for the next installment immediately. -- Charlie Ridgely

Rating: 3.5 out of 5

ICE CREAM MAN #39

Ice Cream Man #39 tells a story occurring in 5-seconds across the span of 28 pages in a metatextual examination of the comics form reflecting the human experience in a moment that seems impossible to imagine. The issue opens by showing readers exactly what has happened and leaves no doubt about the outcome, instead choosing to dig ever deeper into the brief moments it presents and the four characters involved. In place of suspense, readers find multi-faceted tragedy as they consider each individual involved. While the moment itself is mundane in nature, the excruciating examination of its details and the lives bound up in it become excruciating. And all of this builds upon the comics form, considering how time is stretched both on the page and in human experience. Martin Morazzo's deft repetition of images slowly crawling forward from multiple perspectives reinforces the slow passage of time with sufficient detail to never grow dull. Ice Cream Man #39 is a painful read and an exceedingly well executed one bound to haunt readers long after they finish taking their time to read this issue. -- Chase Magnett

Rating: 4.5 out of 5

MASTERS OF THE UNIVERSE: REVOLUTION #1

Color artist Brad Simpson delivers a nice sheen to the first issue of the latest Masters of the Universe comics series (this a tie-in to the new season of Netflix's animated series) that makes it interesting to read at least, building on the pencils by Daniel Hdr that capture the character's spirits and the deep, moody inks by Keith Champagne. It's a testament to the scripting of the comic that this trio's work could tell most of the story without the aid of all the letter balloons, sadly they are substantial. This is a comic for mostly die-hards though, which isn't a bad thing, but don't expect you can pick this up with just a cursory knowledge of Masters of the Universe. -- Spencer Perry

Rating: 3.5 out of 5

MONOLITH #1

[READ THE FULL REVIEW HERE]

The Spawn universe continues to grow with the arrival of a new miniseries focusing entirely on Monolith. The Hellspawn that first appeared in Spawn #312 gets his own story in the series from writer Sean Lewis and artist Valerio Giangiordano. The first of three issues of the series arrived on Wednesday, putting Monolith in a future where the Spawns failed to save their universe, trapped in a prison ruled by Omega Spawn. -- Charlie Ridgely

Rating: 2 out of 5

Other Publishers #3

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(Photo: Image Comics)

MY BAD: ESCAPE FROM PECULIAR ISLAND #1

The superhero satire My Bad returns with My Bad: Escape From Peculiar Island #1 and generally, it's a pretty interesting and funny comic book. Comprised of three stories that follow three characters--some familiar, some new--that are generally interconnected leading into the idea that Amazing Adams has been appointed a role of leadership on Peculiar Island and a semi-reformed villain has decided he wants to scheme to take that role for himself. A hallmark of the storytelling here is how self-involved and self-absorbed all of the characters are, which is admittedly a little heavy handed and perhaps detracts from any real humor, particularly in the latter two stories. The first story, one that center around Chandelier and Captain Ohio, is also a little ham-handed when it comes to humor, but. makes some incisive observations about the state of society. It's easily the strongest story in the trio, even for a comic book that borders just a bit on taking itself a little too seriously. -- Nicole Drum

Rating: 2.5 out of 5

NAPALM LULLABY #3

Napalm Lullaby #3 is an issue that fills a lot of gaps as it marches the characters towards a confrontation. As our main characters enter the Citadel of Heaven and work their way forward, we get a lot of world building. Remender lays out for the reader how this world's ideologies work within that of the real world by giving taking familiar Christianity and turning it into something dystopian and evil. And yes, it feels very much like commentary in that especially when we get into the holograms and a society where everything is perfect so long as you simply don't question the control. But with very little action and a lot of visuals that are just crowds and people moving through it, the issue is a bit of a drag to read. The final pages get interesting as the stakes get very high and things end on a cliffhanger, however, so the slower nature of the issue and its world building feel like a necessary step for what's next. -- Nicole Drum

Rating: 3 out of 5

REDCOAT #2

If you've ever been looking for a book that sees a 13 year old Albert Einstein joining a time-traveling Red Coat as they meet Benedict Arnold, boy do I have the book for you. Geoff Johns continues to build his new superhero universe at Image by following newly formed American icons, and Redcoat remains one of the best books of the bunch. Much like Doctor Who, the story of Simon Pure is able to ratchet up its time travel story by having readers expect the unexpected. On top of Johns' interesting story building and character work, Bryan Hitch continues to do some of his career-best here, as everything clicks quite well across the board. I still don't quite know where this new universe is going, but I like what I'm seeing with all of its individual parts. -- Evan Valentine

Rating: 4 out of 5

STAR TREK #20

Star Trek #20 offers artist Megan Levans a chance to show what she can do when put to the test. She plays with time over a two-page spread that shows the stationary Theseus ship in various states of upgrade (I did find myself wondering if a less explicit angle would have preserved a grander reveal later on, but what the issue offers is undeniably stellar), and gets to cut loose when things get psychedelic upon the ship's attempt to reach the pleroma through the galactic barrier. The plot brings back a couple of familiar faces from Star Trek: Picard, as well as a faction from Kelly and Lanzing's Star Trek: Year Five, and puts them to good use: a certain future Starship captain is as contrary as ever, offering a different point of view on how Starfleet can, should, and does function. It's also fascinating to get a gods-eye-view of the destruction wreaked by the Red Path during the "Day of Blood," putting the entire existence of the Klingons in a new context. Meanwhile, Sisko, a grown man with children, has a "you just don't understand me" conversation with his mother, a god to whom he is still a child. Star Trek boldly goes hard. -- Jamie Lovett

Rating: 4 out of 5

TEENAGE MUTANT NINJA TURTLES: THE UNTOLD DESTINY OF THE FOOT CLAN #3

Living up to the series' promise, Teenage Mutant Ninja Turtles: The Untold Destiny of the Foot Clan #3 adds a new wrinkle to the history and lore of the Foot Clan. That Oroku Saki had four sons who could not have behaved more differently from the four Hamato children is a nice bit of dualism. This issue is mostly backstory, but Erik Burnham ensuring that the information comes at severe threat or cost ensures it has stakes and is engaging throughout. Even that wouldn't be enough if not for the sharp, clean artwork of Mateus Santolouco and Santtos, whose dramatic compositions imbue even simple conversation with a sense of energy. When a series has been ongoing for 150 issues, not accounting for companion series like this one, a new retcon to an established organization or character can feel cheap. Here, it feels entirely in keeping with the legacy of prophecy, duplicity, and ambition at the core of Foot Clan history. Consistently compelling, thus far, The Untold Destiny of the Foot Clan has proven as essential and delightful as The Secret History of the Foot Clan. Teenage Mutant Ninja Turtles fans shouldn't miss it. -- Jamie Lovett

Rating: 4 out of 5

UNCANNY VALLEY #2

Oliver rushes headlong into cartoon-inspired adventure with his grandfather Pecos Pete in a sophomore issue that plays upon the series' conceit in fun fashion, even as the narrative remains at a slow boil. Besides two brief asides to remind readers that Oliver's mother is still around and that a mysterious villain is at work, the focus rests entirely on Oliver as he slowly learns more about his heritage and confronts some familiar-looking cartoon homages. The action sequences are the highlight of this issue as artist Dave Wachter plays with two distinct styles which consistently overlap in and around Oliver. The logic of cartoons in reality isn't new, but the concept and related gags are still fun in this moment even if the series hasn't covered any ground not already covered in Who Framed Roger Rabbit?. Yet the nature of this conflict, Oliver's purpose, and other key elements of definition are all pushed off for future consideration leaving Uncanny Valley lacking a clear hook. -- Chase Magnett

Rating: 3 out of 5

THE WEATHERMAN #5

The Weatherman #5 kicks off the final fight and is pretty much action throughout with the three characters making their final attempt at stopping the destruction of life on Mars. The story is largely divided into the battles each of the three characters take on - with varying level of success. There isn't a lot revealed here; it's mostly just an all out onslaught in the last ditch attempt to save humanity and, potentially, at redemption for a couple of characters, but it's pulse-pounding action that keeps the reader on the edge of their seat through interesting and twisted images that just elevate the entire fight. -- Nicole Drum

Rating: 3.5 out of 5

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DC Reveals Swimsuit Variant Covers for Summer 2024 https://comicbook.com/comics/news/dc-reveals-swimsuit-variant-covers-for-summer-2024/ Wed, 15 May 2024 03:39:00 +0000 Jenna Anderson 8dc68510-53c2-4734-9e82-b403b88d1991
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Supergirl: Woman of Tomorrow Gets 2026 Release Date https://comicbook.com/movies/news/supergirl-woman-of-tomorrow-2026-release-date/ Tue, 14 May 2024 23:31:00 +0000 Jenna Anderson b1b48c7a-2247-457c-bf86-03512d66b655

We now know when DC's Maid of Might is headed to the big screen. On Tuesday, DC Studios announced that Supergirl: Woman of Tomorrow will be released exclusively in theaters on June 26, 2026. This officially makes Woman of Tomorrow the second film in James Gunn and Peter Safran's new DC Universe, following Gunn's Superman movie, which is scheduled to be released on July 11, 2025. Production on Woman of Tomorrow is poised to begin in late 2024 and early 2025, after production on Superman draws to a close.

House of the Dragon star Millie Alcock is set to play the film's lead role of Kara Zor-El / Supergirl. Craig Gillespie, known for directing Cruella, Pam & Tommy, and I, Tonya, is expected to direct. Supergirl: Woman of Tomorrow is based on Tom King and Bilquis Evely's DC series of the same name, and will follow Kara across the cosmos as she attempts to protect a young girl named Ruthye.

Who Is DC's Supergirl?

Created by Otto Binder and Al Plastino in 1959's Action Comics #252, Kara Zor-El is the cousin of Clark Kent / Superman, who is also sent to Earth from their dying home planet, Krypton. Shortly after her debut, Supergirl appeared in a backup strip in Action Comics, and became a public-facing superhero beginning in 1962. She made an array of comic appearances -- including a 23-issue solo series -- leading up to 1985's Crisis on Infinite Earths crossover, in which she was killed off in an effort to streamline continuity. The mantle of Supergirl was held by multiple women in the years to follow, including Linda Danvers, Cir-El, and eventually Kara herself when she was brought back to life in 2004.

Supergirl has been portrayed onscreen a number of times over the years, across film, television, and animated projects. In live-action, she has been played by Helen Slater in the 1984 film Supergirl, Laura Vandervoort in later seasons of Smallville, Melissa Benoist on the Arrowverse's Supergirl television series, and Sasha Calle in last year's The Flash movie.

Who Is Writing Supergirl: Woman of Tomorrow?

It has been confirmed that Ana Nogueira is writing the script for Supergirl: Woman of Tomorrow. Nogueira was actually previously attached to write an earlier incarnation of a Supergirl movie, which would have starred Calle and spun directly out of the events of this year's The Flash movie. According to the reports, even though Nogueira's previous version of the movie was scrapped, Gunn and Safran liked her work and gave her an overall DC writing deal. Nogueira is also reportedly attached to write a Teen Titans movie for DC Studios.

"A hearty public welcome to Ana Nogueira to the DC Studios family," Gunn stated on social media last year. "Ana is an amazing writer whose screenplay adaptation of Woman of Tomorrow is above and beyond anything I hoped it would be. We're excited to be moving forward on this unique take on Supergirl in this beautiful, star-spanning tale."

As mentioned above, Supergirl: Woman of Tomorrow will be released exclusively in theaters on June 26, 2026

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Jenny Sparks: DC Announces New Wildstorm Series From Tom King and Jeff Spokes https://comicbook.com/comics/news/jenny-sparks-dc-announces-new-wildstorm-series-from-tom-king-and-jeff-spokes/ Tue, 14 May 2024 22:41:00 +0000 Jenna Anderson 4248c82b-335c-450c-a877-f5d18fa0922c
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The Weekly Pull: X-Men: Forever, Dark Ride, Adventures of Superman, and More https://comicbook.com/comics/news/new-comics-this-week-may-15-2024-marvel-dc-image-x-men-superman/ Tue, 14 May 2024 20:22:00 +0000 Jamie Lovett 141b176c-7c45-442c-a28f-7986aa334277
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DC Reveals Zero Hour 30th-Anniversary Special First Look (Exclusive) https://comicbook.com/comics/news/dc-reveals-zero-hour-30th-anniversary-special-first-look-exclusive/ Tue, 14 May 2024 15:07:00 +0000 Matthew Aguilar 4597286f-8be4-4f5e-9f2d-42adcb955c0a
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Outsiders #7 Review: The Beauty, and Frustration, of Rebooted Canon https://comicbook.com/comics/news/outsiders-7-review-dc-comics-drummer-wildstorm/ Tue, 14 May 2024 15:00:00 +0000 Jenna Anderson 34356e75-3db9-474e-90fe-369185fb294a

As long as there are superhero comics, there will be stories hoping to challenge the conventions of superhero comics. More often than not, I have found myself championing those kinds of stories, especially those that reframe our own understanding beyond the tights and fights that our popular culture takes for granted. The current volume of Outsiders has been delivering in that regard, and Outsiders #7 plunges an already fascinating series head-first into even weirder, and potentially even more meaningful, territory.

Outsiders #7 pulls back the curtain on the series' elusive Drummer, who was revealed in the previous issue to really be former Planetary member Jakita Wagner. As we learn what pulled Jakita into this current corner of the DC multiverse, her journey leads to some surprising discoveries that might challenge the way readers see superhero comics.

This run of Outsiders certainly isn't the first, nor will it be the last, mainstream comic to take a metatextual approach to the conventions of superhero storytelling. As the past six issues of Outsiders have proven, the DC universe alone has an entire pantheon of ways to turn the reader, the protagonist, the canon around them, and even the literal page into some sort of myth or form of higher thinking. But, for both the reader and for the character, there's a difference between knowing those structures can exist and actually believing in them. Collin Kelly and Jackson Lanzing's script tackles that dilemma wholeheartedly, as Jakita wrestles with her massive personal losses in fluctuating degrees of hope and despair. The end result is a sort of comforting nihilism that feels fitting, both for a refugee of the Wildstorm universe and for a DC universe that seems torn between remembering everything and starting fresh once again. There are even moments where, depending on your interpretation, Jakita is either speaking to some omnipotent unseen character, or to the readership themself.

That sense of ambiguity has been prevalent throughout Outsiders thus far - something that has undoubtedly been met with a mixed-to-frustrated response, especially when the series is nearing its four-issue final act. But there is something admirable about that lack of clarity, especially when many of the storytelling steps along the way have been filled with such great heights. Even this issue's approach to DC lore--Jakita's colleagues in Planetary, as well as a handful of other cameos and larger connections--is approached from such an intriguing angle. It all gives me confidence that, once Outsiders builds to the bizarre finale it has been teasing thus far, all of those possibilities will culminate in something remarkable.

Robert Carey's art, which has been a grungy but multifaceted delight throughout Outsiders, is really given a chance to shine in this issue. Double-page spreads dotted with a dozen heroes are treated with the same majesty and thoughtfulness as introspective moments solely involving Jakita, but even then, Carey's intimate close-ups help us start to realize just how much we're missing outside of the panel. Valentina Taddeo's colors bounce between virtually every context and shade, but even those extremes with a sense of warm uniformity. Tom Napolitano's lettering is unfussy, but helpful in conveying the wide array of emotions on display.

Outsiders has been subverting reader expectations from the second it launched - weaving from the threats Kate Kane and Luke Fox are investigating to the fact that they aren't the sole focus of the series' story. While that approach might not be for every reader, Outsiders #7 is a valiant and largely-successful example of how it can be made to work. Even if Outsiders doesn't have a massive impact on the canon of the DC universe when all is said and done, I'm at least thankful that it is reframing how I look at those stories.

Published by DC Comics

On May 14, 2024

Written by Collin Kelly and Jackson Lanzing

Art by Robert Carey

Colors by Valentina Taddeo

Letters by Tom Napolitano

Cover by Roger Cruz with Adriano Lucas

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The Penguin: Mark Strong Reportedly Joins The Batman Spinoff Series https://comicbook.com/tv-shows/news/the-penguin-casts-mark-strong-the-batman-spinoff/ Tue, 14 May 2024 00:40:00 +0000 Cameron Bonomolo 850a3966-07ca-4fca-b318-9158970f2758

Mark Strong isn't one to squawk at a DC role. The British actor -- who previously played DC villains Sinestro in 2011's Green Lantern and Dr. Sivana in 2019's Shazam! -- has reportedly joined the cast of The Penguin, the upcoming Max/DC series set within the world of The Batman.

Strong's undisclosed role was seemingly confirmed by his personal trainer, Giacomo Farci, who replied to a fan inquiring about The Penguin on Instagram: "Yes, I've trained Mark for it." Asked by another commenter to reveal which DC character Strong is playing, Farci teased: "I cannot answer this question but I'm sure you will figure it out." (Victor Fries, a.k.a. Mister Freeze? The bald baddie Calendar Man? Gotham crime boss Roman Sionis / Black Mask? Or... the Bat-Verse version of Lex Luthor?)

The actor, 60, is no stranger to comic book adaptations. Strong portrayed a New York crime lord in Matthew Vaughn's 2010 movie Kick-Ass, based on the Marvel comic, and reunited with the filmmaker when he played Agent Merlin in Vaughn's adaptation of Mark Millar's Kingsman comics in 2014's Kingsman: The Secret Service and 2017's Kingsman: The Golden Circle. Strong has also been cast as Emperor Javicco Corrino in another upcoming Max series, the Dune saga prequel Dune: Prophecy.

Colin Farrell reprises his role as Gotham City gangster Oswald "Oz" Cobblepot in the series set in the immediate aftermath of Matt Reeves' The Batman, which ended with the crime-infested city half-submerged underwater following an attack by the Riddler (Paul Dano).

Strong joins a cast that includes Cristin Milioti (The Sopranos) as Cobblepot's chief gang war rival, Sofia Falcone, daughter of the late crime lord Carmine Falcone (John Turturro); Michael Zegen (The Marvelous Mrs. Maisel) as Sofia's brother, Alberto Falcone; Clancy Brown (Dexter: New Blood) as Gotham City crime boss Salvatore Maroni; and Michael Kelly (Man of Steel) as Maroni underboss Johnny Vitti. Rounding out the cast are Rhenzy Feliz (Runaways), Shohreh Aghdashloo (The Expanse), Deirdre O'Connell (Daredevil), and John Cenatiempo (Joker) in undisclosed roles.

Lauren LeFranc (Hemlock Grove, Marvel's Agents of S.H.I.E.L.D.) is the writer, creator, and executive producer on Penguin, which is expected to premiere later this year on Max. The eight-episode series also hails from The Batman producers Reeves and Dylan Clark, and executive producers Farrell, Daniel Pipski (A Teacher), Adam Kassan (Ordinary Joe), Bill Carraro (Lovecraft Country), and director Craig Zobel (The Leftovers, Westworld).

The DC crime drama contains "tons of violence, abject darkness and a man and a great struggle to try and claw his way to the top," Farrell said in a recent interview. "You know, there's a power grab in Gotham now. It's dark, man. Lauren LeFranc with her room of writers wrote eight extraordinary episodes. I mean, just really, really bold stuff. I couldn't believe that it got as dark as it gets... It would be a hard-R [rating]."

DC's The Penguin premieres later in 2024 on Max.

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Chris Pratt Says He Will 100% Be Returning as Star-Lord and Appearing in James Gunn's DCU (Exclusive) https://comicbook.com/movies/news/chris-pratt-returning-star-lord-appearing-james-gunn-dcu-exclusive/ Mon, 13 May 2024 13:10:00 +0000 Jenna Anderson f048a963-77ed-4b51-ac3d-5f46ed4f467a

Over the years, Chris Pratt has lent his talents to a wide array of projects, from Parks and Recreation to The Super Mario Bros Movie to the Jurassic World series. Following the release of last year's Guardians of the Galaxy Vol. 3, which ended with a title card teasing that his character of Peter Quill / Star-Lord will return, fans have wondered if another Marvel Cinematic Universe appearance will be on the horizon. Additionally, with Guardians writer-director James Gunn now co-leading DC Studios, there have also been plenty of theories suggesting that Pratt could follow him to this new franchise. While speaking to ComicBook about his work on The Garfield Movie, Pratt argued that either option is equally likely, and that he could very well end up appearing in both superhero sagas.

"Well, it probably make more sense that I would be Star Lord again," Pratt said in our interview, which you can check out above. "But anything is possible, and especially with James over at DC. Maybe there's something that would be right over there. Maybe both. How about both? Let's do both. I think it's 100% both."

Is Chris Pratt Joining the DCU?

Gunn has already teased that a number of Guardians of the Galaxy cast members could end up joining the DCU, although no roles have been cast thus far. One popular fan theory has been that Pratt might play Michael Carter / Booster Gold, who is set to get his own exclusive Max series. In a 2023 interview with Rolling Stone, Pratt addressed that possibility, and admitted that he would be open to it in the right circumstances.

"If James thought I was right for it, then you know that I would have to consider it," Pratt explained at the time.

What Is The Garfield Movie About?

In The Garfield Movie, Garfield (voiced by Pratt), the world-famous, Monday-hating, lasagna-loving indoor cat, is about to have a wild outdoor adventure! After an unexpected reunion with his long-lost father - scruffy street cat Vic (voiced by Samuel L. Jackson) - Garfield and his canine friend Odie are forced from their perfectly pampered life into joining Vic in a hilarious, high-stakes heist. In addition to Pratt, The Garfield Movie features a star-studded voice cast that includes Samuel L. Jackson, Hannah Waddingham, Ving Rhames, Nicholas Hoult, Cecily Strong, Harvey Guill?n, Brett Goldstein, and Bowen Yang.

The Garfield Movie is directed by Mark Dindal (The Emperor's New Groove), from a screenplay by Paul A. Kaplan & Mark Torgove (Raising Hope) and David Reynolds (Finding Nemo). Producers on the film include John Cohen, Broderick Johnson, Andrew A. Kosove, Steven P. Wegner, Craig Sost, Namit Malhotra, and Crosby Clyse.

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Crisis on Infinite Earths: Arrowverse Event Almost Went to Theaters https://comicbook.com/tv-shows/news/crisis-on-infinite-earths-arrowverse-event-almost-went-to-theaters/ Mon, 13 May 2024 10:23:00 +0000 Russ Burlingame 94ffc518-f229-49bc-92aa-794016376f65

Crisis on Infinite Earths showrunner Marc Guggenheim revealed via his Substack newsletter "The Legal Dispatch" that the five-part Arrowverse event almost got a theatrical release. The plan was to celebrate the Arrowverse with Fathom Events, with deleted scenes from the series and other one-off goodies airing in between episodes, as well as appearances by cast members and other giveaways in some parts of the country. Unfortunately, it never happened. Why? Well, the second half of Crisis on Infinite Earths aired in January 2020, and the theatrical event would have happened a few months after, just before that season's Arrowverse shows came to DVD.

So -- yeah. Planned as a major social event for April 2020, the Crisis on Infinite Earths theatrical screenings were cancelled before they were ever officially announced. That might seem hard to believe, but remember that Fathom Events typically does one or two-day engagements for their theatrical events, and that they often don't get announced until it's time to start selling tickets.

Here's how Guggenheim explained it:

I don't believe this is publicly known (again, statute of limitations) but we had been working with Warner Bros. to release all five hours of Crisis in movie theaters across the country. The event -- arranged through Fathom Events -- was going to include special surprises like cast appearances and giveaways and we'd also cut together a few bonuses that would have been screened in-between episodes and, yes, they would have included the deleted scenes -- with all the VFX completed, the sound mixed, and the picture color-timed -- that I'd mentioned.

At this point, you're probably wondering why this event didn't go forward. Well, the answer is that it was scheduled for April 2020.

Covid ruins everything.

Above, he's referring to the "statute of limitations" on getting in trouble for spilling Arrowverse secrets. Earlier in the entry, he had talked briefly about two deleted scenes from the Crisis on Infinite Earths screenplay -- one in which Pariah (Tom Cavanagh) witnessed the destruction of Argo City, and another in which Oliver Queen (Stephen Amell) transformed into The Spectre. Guggenheim said that while it doesn't necessarily seem immediately likely, he would put the possibility of those scenes coming out someday as higher than zero.

Crisis on Infinite Earths, based on the comic book story by Marv Wolfman and George Perez, took place over five episodes -- one each of Supergirl, Batwoman, The Flash, Arrow, and DC's Legends of Tomorrow -- in late 2019 and early 2020. The series also featured an appearance by Cress Williams as Black Lightning, and producers on that show included a Crisis on Infinite Earths kinda-crossover episode, where the world was destroyed by antimatter and Black Lightning was saved. Other characters who appeared in Crisis included Burt Ward as Dick Grayson, Robert Wuhl as Alexander Knox, Derek Mears as Swamp Thing, Brandon Routh as Superman, Tom Welling as Clark Kent, Kevin Conroy as Batman, and the casts of Birds of Prey, Titans, and Doom Patrol.

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Gotham Knights Is $60 Off for Batman Fans Who Haven't Checked It Out Yet https://comicbook.com/gaming/news/gotham-knights-batman-game-sale-walmart/ Sat, 11 May 2024 17:59:00 +0000 Tyler Fischer 9944c230-1388-419e-b928-85b6f02b82ca

Gotham Knights, which normally costs $70, is on sale for $10, aka $60 off, for any DC fan who hasn't checked out the Batman game yet, but wants to. Unfortunately, this $10 price point is only available to Xbox Series X, Xbox Series S, and PS5, not PC, as it comes the way of Walmart. If you are on PS5, Xbox Series S, or Xbox Series X though, right now, you can grab the game for the cheapest it has ever been.

How long it will be available at this price point though, we don't know. There is no word of when the deal will expire, but it may simply be as supplies last. If this the case, it could run out fast. Whatever the case, this is the cheapest the 2022 game from WB Games Montreal will likely be for a while.

"Batman is dead. A new expansive, criminal underworld has swept the streets of Gotham City. It is now up to the Batman Family - Batgirl, Nightwing, Red Hood, and Robin - to protect Gotham, bring hope to its citizens, discipline to its cops, and fear to its criminals," reads an official blurb about the game. "From solving mysteries that connect the darkest chapters in the city's history to defeating notorious villains in epic confrontations. Gotham Knights is an open-world, action RPG set in the most dynamic and interactive Gotham City yet. Patrol Gotham's five distinct boroughs in solo or in co-op and drop in on criminal activity wherever you find it. Your legacy begins now. Step into the Knight."

"Gotham Knights is far from perfect, but it is also a bit unlike anything else that The CW has tried when it comes to its DC-inspired series," reads a snippet from our official review of the game. "While it struggles just a bit to get out of the gate, once it does it, delivers an interesting approach to a Gotham-centered, Batman-adjacent story that's got just enough mystery and enough comic book DNA to make it an intriguing watch. Whether that will be enough to keep things going in what is an interesting time for the network remains to be seen, but this is a series that is worth investigating."

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DC Comics' Jim Lee Pays Tribute to Dragon Ball Z With New Art https://comicbook.com/anime/news/dragon-ball-z-dc-comics-jim-lee-goku-art/ Sat, 11 May 2024 17:05:00 +0000 Evan Valentine 70492359-572d-45b5-adac-9a50b5c0f0ed

The worlds of North American comic books and Japanese manga have been meeting more times than we can count in recent years. While not an official crossover, DC Comics' Jim Lee has recently shared a new art piece that demonstrates what the legendary comic book artist's talent might have looked like were they dedicated to Weekly Shonen Jump. In a surprise release, Lee has shared his take on Son Goku, honoring both the long-running anime character and the recently deceased Dragon Ball creator Akira Toriyama.

This take on Son Goku is far from the first time that Jim Lee has tackled creating anime character with his unique style. In the past, Lee has shared sketches of Berserk's Guts, Ultraman, My Hero Academia's All Might, and more. This latest art isn't even the first time that the DC Comics artist has tried his hand at Son Goku as he first tried to depict the Saiyan in his Super Saiyan form back in 2018. It's been quite some time since Lee was handling artistic duties on a monthly comic book having moved up the ranks to be a major player in DC's future, but it's clear that his art hasn't suffered as a result.

DC x Dragon Ball

Recently, Jim Lee once again created official art for the comic book world thanks to creating the cover of the DC Versus Marvel Omnibus. Thanks to the various stories that were a part of the various crossovers, the cover let Lee tackle some of the biggest characters from both characters in one major pin-up. With Lee being more than willing to dive into the anime world, it will be interesting to see if he is able to create an official piece of Dragon Ball Z art in the future.

Following the tragic loss of Dragon Ball creator Akira Toriyama, the anime world, anime fans, and even world leaders have paid tribute to the legendary mangaka. At present, the manga remains on indefinite hiatus as fans continue to speculate if Dragon Ball Super will continue under artist Toyotaro or if the last chapter released might just be its last.

Want to see if Jim Lee takes on more anime characters in the future? Follow along with Team Anime on ComicBook for all the latest updates on anime crossovers and hit me up directly @EVComedy to talk all things comics and anime.

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James Gunn's Newest Behind-the-Scenes Photo Has Two Surprising DCU Easter Eggs https://comicbook.com/movies/news/james-gunn-new-behind-the-scenes-photo-major-dcu-easter-eggs/ Fri, 10 May 2024 21:04:00 +0000 Jenna Anderson e3957d89-cd4e-45fd-80f0-241ab34b566f

James Gunn and Peter Safran's DC Universe is continuing with great fanfare, and the connections between its movies and television shows are only building. On Friday, Gunn took to social media to confirm that Creature Commandos star Frank Grillo will be reprising his role as Rick Flag Sr. in the forthcoming second season of Peacemaker. The news was accompanied by a photo of Gunn and Grillo on some sort of set -- which, in the background, features a banner for an event sponsored by Big Belly Burger and Stagg Industries.

It is unclear at this point if the set is actually for Peacemaker Season 2, or for Gunn's currently-filming Superman movie. Given the fact that Rex Mason / Metamorpho (Anthony Carrigan) -- a superhero closely tied to Stagg Industries in the comics -- is in Superman, either option definitely feels possible. Either way, the banner confirms that both companies already exist in the DCU. Big Belly Burger has already appeared throughout previous DC movies and television shows, including The CW's Arrowverse of shows and last year's Blue Beetle movie.

Who Is Frank Grillo Playing in the DCU?

Grillo has been cast as Rick Flag Sr., a decorated war veteran and the original leader of DC's first incarnation of the Suicide Squad. Created by Robert Kanigher and Ross Andru in 1959's The Brave and the Bold #25, Flag is also the father of Rick Flag, who was portrayed by Joel Kinnaman in previous DC movies.

"I did Creature Commandos with Gunn and Peter Safran, and they have a whole plan for Rick Flag Sr," Grillo told ComicBook in a 2023 interview. "That's going to play out throughout the whole DCU. I can't say what it is. And I'm hoping it'll be equally as good, if not better, than Crossbones."

What Is Superman About?

Per DC Studios, Superman tells the story of Superman's journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent of Smallville, Kansas. He is the embodiment of truth, justice and a better tomorrow, guided by human kindness in a world that sees kindness as old-fashioned.

Superman will also star David Corenswet as Clark Kent / Superman, Rachel Brosnahan as Lois Lane, Skyler Gisondo as Jimmy Olsen, Wendell Pierce as Perry White, Sara Sampaio as Eve Teschmacher, Terence Rosemore as Otis, Mar?a Gabriela de Far?a as Angela Spica / The Engineer, Isabela Merced as Kendra Saunders / Hawkgirl, Nathan Fillion as Guy Gardner, and Edi Gathegi as Michael Holt / Mr. Terrific.

Superman is currently scheduled to be released exclusively in theaters on July 11, 2025. Creature Commandos and Season 2 of Peacemaker do not have confirmed release dates.

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New Superman Movie Costume & Kingdom of the Planet of the Apes Review https://comicbook.com/movies/news/superman-movie-costume-kingdom-planet-apes-explained-disney-mcu-schedule-changes/ Fri, 10 May 2024 20:59:00 +0000 Kofi Outlaw 72a0cef1-f1de-4297-be95-50d7d8ef6db4

The ComicBook Nation crew reviews the new movie Kingdom of the Planet of the Apes and recaps Part 2 of the X-Men '97 Finale!

PLUS: Geek News was THICCC this week with James Gunn revealing the first image of the Superman (2025) movie costume; the LIVE reactions to new Fantastic Four casting and Season 2 news for DC's Peacemaker and Shogun! Also, Lord of the Rings is getting a Gollum movie, and Disney cuts back on MCU content. We break it all down!

Kingdom of the Planet of the Apes Review

Critic Spencer Perry's Kingdom of the Planet of the Apes Review gives the film 4 out of 5 stars as a promising new chapter:

It can already be daunting to join a franchise that has remained steadfast for almost sixty years, not to mention one that successfully rebooted itself in the 2010s to critical acclaim, but director Wes Ball has managed to stare down that mountain of intimidation with his cast and crew to deliver. Kingdom of the Planet of the Apes proves that there is still life left in this franchise and that it can grow beyond the fan-favorite Andy Serkis trilogy while still drawing influence from its roots. Even with minor faults, it's a grand time, and a worthy follow-up.

Rating: 4 out of 5

First Image from James Gunn's Superman Revealed

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(Photo: James Gunn / Warner Bros)

See for yourself, and share your thoughts with us on Twitter @ComicBookNation!

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Shazam! Star Asher Angel Talks Disappointing Sequel and Shazam! 3 Plans https://comicbook.com/dc/news/shazam-star-asher-angel-talks-disappointing-sequel-and-shazam-3-plans/ Fri, 10 May 2024 20:00:00 +0000 Jamie Jirak a7183ece-4634-412a-a22d-b01e8bcd242c

2023 was an interesting time at the box office, especially for superhero movies. While Barbie crossed $1 billion to become the highest-grossing film of the year and Warner Bros.'s highest-grossing movie ever, the studios' DC projects all underperformed. Shazam! Fury of the Gods, The Flash, and Blue Beetle did poorly in 2023 before Aquaman and the Lost Kingdom had a rough turnout during the holidays. In addition to having a poor run at the box office, the movies also weren't huge hits with critics. Out of the four DC films that were released last year, Blue Beetle came out on top with a 78% critics score whereas The Flash earned a 63% score, Shazam! Fury of the Gods earned 49%, and Aquaman and the Lost Kingdom a 34%. Shazam! star Asher Angel recently spoke with ComicBookMovie.com, and opened up about the sequel's disappointing numbers.

"Look, I think the superhero genre is a really hard genre," Angel explained. "I hate when people talk about superhero fatigue. I don't believe in that stuff. I think whatever DC or Marvel puts out there, it's gonna resonate, but if it resonates, it resonates. If it doesn't, it doesn't. I think a lot of the time, people put so much pressure on Marvel and DC in that every movie has to be amazing. It's a hard genre, for sure, and I'm just happy I had the opportunity to be involved in that world. It was wish fulfilment because I always wanted to be a superhero when I was a kid."

During the interview, Angel also addressed the possibility of a third film, which no longer seems like now that the DCEU is being rebooted.

"Yeah, I think we always planned on making a third one, but you have new people come in and take over and plans can change and things can shift. I guess we'll see. We'll see what the future holds," Angel shared.

What Warner Bros. Movies Are Releasing in 2024?

Warner Bros. has many big films scheduled for 2024. Dune: Part Two already hit theaters earlier this year with more on the way. The upcoming slate of films includes Furiosa: A Mad Max Saga, Twisters, Joker: Folie ? Deux, and The Lord of the Rings: The War of Rohirrim. The first movie in the rebooted DCU, James Gunn's Superman, is not set to be released until 2025.

Stay tuned for more updates about the future of DC.

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Peacemaker Season 2 Adds Marvel Star to Cast https://comicbook.com/tv-shows/news/peacemaker-season-2-adds-marvel-star-to-cast/ Fri, 10 May 2024 16:46:00 +0000 Russ Burlingame e6197339-d61f-4971-8aa0-73ae84ec4264

Frank Grillo, who played Crossbones in Captain America: The Winter Soldier, is set to make his live-action DC Universe debut in the upcoming second season of Peacemaker. Grillo will play Rick Flag, Sr. -- the father of Joel Kinnaman's character from The Suicide Squad. While it's not clear that the entire movie is fully canon in the new DC Universe, one thing seems sure: Rick Flag was murdered by Peacemaker, and Old Man Flag won't be thrilled about it. Grillo is set to play the character in Creature Commandos later this year, which may help set up his Peacemaker role.

Gunn posted the casting news -- which confirms a theory some fans have been working with since Creature Commandos was announced -- on social media today. Gunn said that Grillo will play the role "throughout" season 2, which seems likely to indicate he's a series regular, although he could also be a recurring guest star whose appearances are spread out through the season.

"Christopher Smith and Rick Sr have a little unfinished business to take care of," Gunn teased.

Given that the show's first season dealt with Chris's own daddy issues, and helped him come to grips with the mistakes he has made as Peacemaker, Grillo's role is an interesting one. There could be a few different ways that a more contrite Peacemaker could head with the father of a man he killed.

"I would love it," Grillo told ComicBook back in March. "I was just with Kevin Feige and Lou D'Esposito and the Russo Brothers. They honored Lou. And I was with Pratt and Batista, and I was like, 'God, I wish you would bring me back.' I said, 'Lou, before I'm too old, bring me back.' He said, 'We'll talk.' But now I'm doing the DCU. I did Creature Commandos with Gunn and Peter Safran, and they have a whole plan for Rick Flag Sr. That's going to play out throughout the whole DCU. I can't say what it is. And I'm hoping it'll be equally as good, if not better, than Crossbones."

You can see the post below.

In a recent string of comments on Threads, Gunn confirmed that Creature Commandos is still on track to debut at some point in 2024, but there is no official release date yet.

Peacemaker's second season has been pushed back until after Creature Commandos drops, although whether that's to accommodate Flag's story or just due to scheduling and the strikes hasn't been officially confirmed.

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New Gotham City Sirens Miniseries Announced by DC https://comicbook.com/comics/news/new-gotham-city-sirens-miniseries-announced-dc/ Thu, 09 May 2024 21:37:00 +0000 Jenna Anderson be98f07b-e9b2-4433-9ca0-e48499ea68ff
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James Gunn Assembles Comic Book Greats on Superman Movie Set https://comicbook.com/movies/news/james-gunn-assembles-comic-book-greats-on-superman-movie-set/ Thu, 09 May 2024 21:15:00 +0000 Russ Burlingame b11a06c7-b5ed-445b-bded-a91404fbad11

Superman director James Gunn gave fans another look behind the scenes of the upcoming superhero blockbuster today, revealing that he had some company over for a little visit. A number of comic book luminaries, along with some behind-the-scenes folks in comics and film, took a photo with Gunn outside of the production studios, all wearing matching Superman t-shirts. The crew included a number of creators, both past and present, who are closely associated with the Man of Steel himself, notably current Superman writers Jason Aaron and Joshua Williamson as well as legendary Superman writer-artists Dan Jurgens and Jerry Ordway.

Justice League International's Kevin Maguire was there, too, along with Scott Snyder, who has had successful runs on about half of DC's major characters. John Ostrander, co-creator of Mr. Terrific and someone who has already been pictured on set before, also turned up for a cameo.

"Great day with some comic book titans visiting the Superman set," Gunn captioned the image. "So many of my heroes all at once it was really overwhelming.

Then, he shared a key for anybody who might not recognize comic book artists at first glance (perish the thought):

Front Row: Frank Quitely, me, Jim Lee. Middle Row: Angelo Exarhkios, Kevin Maguire, Carrie Williams, Scott Snyder, Josh Williamson, John Ostrander, Anne DePies. Back Row: Jerry Ordway, Christina Merkler, Cameron Merkler, Dan Jurgens, Jason Aaron.

You can see it below.

At least two of these folks -- Dan Jurgens and Jerry Ordway -- have actually had an onscreen cameo in Superman-related media before; they appeared in a "Superman Day" celebration in an episode of Lois & Clark: The New Adventures of Superman shortly after their best-selling "Death of Superman" storyline was published in the comics. That story famously went on to inspire Batman v Superman: Dawn of Justice, and Jurgens's iconic cover for the movie was homaged in posters for Zack Snyder's Justice League.

It's a bit surprising not to see Quitely's All-Star Superman collaborator Grant Morrison present, given how much influence that comic clearly has had on Gunn's production. Morrison, who wrote a draft of The Flash with Ezra Miller, is an experienced producer with adaptations of their work including Happy! and Doom Patrol already having aired. In an episode of Doom Patrol, Morrison even has a cameo as themself.

Little is known about the story of Superman, other than that it will involve a version of Superman who is settled into his role as the world's protector, but who also has a network of allies to fall back on. Gotham's Anthony Carrigan is set to appear in the movie as Metamorpho, and other superheroes in the film include Hawkgirl (Isabela Merced), Guy Gardner (Nathan Fillion), and Mister Terrific (Edi Gathegi). The Wire and Jack Ryan star Wendell Pierce will play Perry White, with Pruitt Taylor Vince (Constantine) and Neva Howell (Diary of a Wimpy Kid: The Long Haul) on board as Jonathan and Martha Kent.

Superman's origin story, already shown in a number of prior film adaptations, won't take up a significant amount of real estate in Legacy, according to prior statements from Gunn.

Gunn is lining up some familiar talent on the project, with cinematographer Henry Braham (The Suicide Squad, Guardians of the Galaxy vol. 3); production designer Beth Mickle (The Suicide Squad, Guardians of the Galaxy vol. 3); costume designer Judianna Makovsky (Harry Potter and the Sorcerer's Stone, Avengers: Endgame); and art director David Scott (Godzilla: King of the Monsters, Spider-Man: No Way Home). Casting is by Yellowstone and Oppenheimer's John Papsidera.

Superman flies in to theaters on July 11, 2025.

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DC Reveals New Look at DC vs. Vampires Sequel https://comicbook.com/comics/news/dc-reveals-new-look-at-dc-vs-vampires-sequel/ Thu, 09 May 2024 16:00:00 +0000 Jenna Anderson d73516fb-615c-49f3-87b7-da02878568e7
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Batman: Caped Crusader Premiere Date, First Images Revealed https://comicbook.com/tv-shows/news/batman-caped-crusader-premiere-date-first-images-revealed-prime-video/ Thu, 09 May 2024 16:00:00 +0000 Jenna Anderson d168ba32-054f-43dd-9aad-267b2aa17d31
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Warner Bros. CEO Calls Suicide Squad: Kill the Justice League a "Disappointing Release" https://comicbook.com/gaming/news/suicide-squad-kill-the-justice-league-disappointing-release-warner-bros-zaslav/ Thu, 09 May 2024 15:12:00 +0000 Marc Deschamps 3d22227c-3f35-40be-bdcc-13165f647929

Suicide Squad: Kill the Justice League released earlier this year, and the game hasn't lived up to anyone's expectations. The game's user score on Metacritic is a dismal 3.5, and the game's active users on Steam have cratered since launch. It seems Warner Bros. has not been too happy with the game either. On an earnings call earlier today, Warner Bros. Discovery CEO David Zaslav said that the "disappointing release of Suicide Squad" had an impact on the company's quarterly financials.

The End of Suicide Squad?

Those comments don't seem to bode well for the game's future. Developer Rocksteady Studios has been adding new content to the game through DLC, starting with the Joker. Three more characters will be added over time, but anything beyond that sounds highly unlikely. Some games have managed to overcome negative perception over time; Cyberpunk 2077 is one of the biggest examples of a game that had a disastrous launch but managed to turn things around. Given Zaslav's comments, it doesn't seem like there's an overwhelming desire to put that kind longterm investment into the game, though.

Once development on Suicide Squad has officially come to an end, it will be interesting to see what comes next for Rocksteady Studios. Prior to Suicide Squad, the development team handled the beloved Arkham trilogy of games. Those single-player titles were all very well-received both critically and commercially, and it would be exciting to see the team get back to doing what it clearly does best.

What's Next for Rocksteady?

Of course, a fourth Arkham game is probably unlikely. Batman's status after the end of Suicide Squad: Kill the Justice League would make it pretty hard, though there has been speculation that his fate in the game might not be so cut and dried. However, with the death of Batman voice actor Kevin Conroy, Rocksteady might not be eager to revisit the character's storyline with a new actor in the role.

Whatever the future might bring, Warner Bros. clearly isn't pleased with how Suicide Squad: Kill the Justice League turned out, and fans will have to wait and see what that means for future games from Rocksteady. Given how many years passed between the releases of Arkham Knight and Suicide Squad, it might be a very long time before we know what's next for the developer.

Did you play Suicide Squad: Kill the Justice League? How did you feel about the game? Share your thoughts with me directly on Twitter at @Marcdachamp or on Instagram at @Dachampgaming!

[H/T: Jason Schreier]

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Batman Introduces A Twisted New Robin https://comicbook.com/comics/news/batman-new-evil-robin-zur-en-arrh-147-spoilers-comic/ Wed, 08 May 2024 21:52:00 +0000 Kofi Outlaw 9849c826-7b1c-410b-a503-6a2baf6cd17c

Chip Zdarsky's Batman run has led to some pretty wild new developments for The Dark Knight - and Batman #147 is no exception.

(SPOILERS) "Dark Prisons Part Three" sees Bruce Wayne on the run and all alone, with his Batman mantle having been usurped by his militant alternate persona, the Batman of Zur En Arrh. Zur built himself an unstoppable android body called Failsafe and downloaded his persona from Bruce's mind into the robot, convincing the world he is the "failsafe" backup plan of a now-dead Bruce Wayne.

In Batman #147, Zur's plan gets complicated when Bruce escapes from the secret prison his alternate persona has built. Zur also has to contend with Amanda Waller, who sends a strike team to Wayne Manor to take him out. Damian Wayne handles Waller's forces, still under the belief that his father is inside the robot.

However, Zur tips his hand after revealing to Damian that he's building an army of Amazo androids, and downloading personas for Batman variants from across the multiverse into them. Damian quickly deduces that it couldn't be Bruce's consciousness and must be variants of Zur; Damian rebels against Zur, only to find out that his heel turn was predicted, and planned for.

Zur snares Damian in some coils and reveals that he already has a countermeasure in place: a Robin that he creates himself.

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(Photo: DC)

We only get the brief reveal of this new Robin (Robin of Zur En Arrh?), but it's easy to presume that it is some kind of android made to look like Damian - or maybe a composite of the former Robins (Dick Grayson, Jason Todd, Tim Drake). The new Robin carries a glaive and has a sinister look in his eye like he won't be afraid to use it.

The Batman of Zur En Arrh is defined as being the more efficient and focused version of a Batman, one that's been distilled from any of the "Bruce Wayne" personas. Zdarsky creates an interesting parallel in Batman #147, wherein both Bruce and Zur come to respective revelations that the 'dark loner Batman' way of doing things is insufficient, and allies are necessary. But while Bruce is headed toward a lighter place (including a return to a classic color scheme), Zur's Robin seems to hint the renegade persona is spiraling down into a darker abyss.

Batman #147 is on sale at DC.

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Teen Titans: Ryan Potter Wants to See One Piece's Inaki Godoy Tackle Beast Boy https://comicbook.com/anime/news/inaki-godoy-one-piece-beast-boy-ryan-potter/ Wed, 08 May 2024 18:22:00 +0000 Megan Peters 18f353d4-6716-4dac-8cea-4a6324374576

Netflix couldn't have found a better actor to bring Monkey D. Luffy to life than Inaki Godoy. The actor found themselves thrust on the world's stage last year when One Piece's live-action adaptation went live. With a second season on the horizon, Godoy is staying busy, but he's on the lookout for work just like any other actor. And now, Titans star Ryan Potter says they'd pass the baton of Beast Boy to the actor.

Recently, Potter made the Internet double take when he shared his pick for the next live-action Beast Boy. "Inaki Godoy or nothing," the actor pitched. So there you have it!

Of course, Potter finished his tenure at Beast Boy recently with Max's Titans. The live-action series made its debut in 2018, and it wrapped last year. Before taking on the DC Universe, Potter made their acting debut on Nickelodeon before taking to Disney with Big Hero 6. Potter voiced the movie's lead Hiro Hamada, and the actor reprised that role in the Baymax mini-series circa 2022.

As for Godoy, the 20-year-old actor is considering an up-and-coming talent in the wake of One Piece. The star got his start in television in 2006 with the telemundo series La querida del Centauro. In 2020, the actor scored his first leading role with Go Youth and continued to star in Spanish-language productions before tackling The Imperfects for Netflix. Of course, the star has now become a household name as Godoy plays Luffy in the live-action One Piece series. He earned rave reviews for his work in season one, and One Piece is expected to kickstart production on season two this summer.

Godoy may be busy with One Piece, but the actor has the range to bring Beast Boy to life. So if the DC Universe is looking to reboot the Teen Titans in the future, the team should give Godoy's people a call!

What do you think about Potter's pick for Beast Boy? Let us know what you think over on Twitter and Instagram. You can also hit me up @MeganPetersCB to share your take!

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DC Reveals Batman's New Costume https://comicbook.com/dc/news/dc-batman-new-costume-gray-blue-suit-comic-147-spoilers/ Wed, 08 May 2024 17:50:00 +0000 Kofi Outlaw 4857133b-a791-4d4f-9387-749fa585fedb

Batman has a new costume, and DC is going the throwback route with the suit's design!

Writer Chip Zdarsky has taken Bruce Wayne/Batman on one of the craziest self-reflective journeys possible. Batman's militant secondary persona "The Batman of Zur En Arrh" took control of Bruce's body, and used him to bring an android body named Failsafe online, with Zur ultimately "downloading" his consciousness into the robot body. The Zur/Failsafe hybrid has usurped the Batman mantle, convincing the world and Justice League that he is Bruce, having died and become an android as a backup plan.

In Batman #147, Bruce is alone and on the run after escaping from Zur's private prison. The context of that situation makes Bruce reflect on who he's been and should be - namely, seeing what Zur has become makes Bruce deeply question the "gruff loner" version of Batman he often resorts to being.

The choice Bruce needs to make gets driven home when Tim Drake, Robin III, turns out to know Bruce so well that he deduces that Thomas Wayne's old cabin is where Bruce would hide. With Batman and Robin (III) back together again, Bruce and Tim prepare for war against Zur. Bruce confesses that he's realized that Zur had been manipulating him for a long time, psychologically seeding him with doubts about his relationships, and the concept that Batman's "strength" is in operating alone. With that kind of perspective, Bruce decides to go in the other direction to fight Zur: relying on his family and allies as his strength.

That kind of 'new Batman' attitude needs a new costume to match - so Bruce makes one:

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(Photo: DC)

The new suit Bruce designs goes back to the gray-and-blue color scheme of Silver Age Batman, with a yellow utility belt. That said, even though the color scheme is classic, and the Utility Belt and briefs on the outside are classic touches, the actual aesthetic of the costume is new age, with an armor-plated design to the shirt piece. The cowl incorporates both blue and gray colors and has medium-long ears.

The idea that Zdarsky seems to be building toward with his "Dark Prisons" story arc, is that Batman is heading for a new era, in which he's a bit "lighter" in the sense of working with others and embracing his role as a father figure and leader. With Batman lore having taken on a darker tint since the late 1980s, there are probably a lot of fans ready for that kind of change.

Batman #147 is now on sale.

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Comic Book Reviews for This Week: 5/8/2024 https://comicbook.com/comics/news/new-comic-reviews-dc-marvel-image-may-8-2024/ Wed, 08 May 2024 15:00:00 +0000 Chase Magnett f9d08e39-fdb1-4dd6-b8c0-4030cd75d82b
comic-review-cover.jpg

Welcome to this week in comic book reviews! The staff have come together to read and review nearly everything that released today. It isn't totally comprehensive, but it includes just about everything from DC and Marvel with the important books from the likes of Image, Boom, IDW, Dark Horse, Dynamite, and more.

The review blurbs you'll find contained herein are typically supplemented in part by longform individual reviews for significant issues. This week that includes The Boy Wonder #1, Blood Hunters #1, and Energon Universe 2024 Special #1.

Also, in case you were curious, our ratings are simple: we give a whole or half number out of five; that's it! If you'd like to check out our previous reviews, they are all available here.

DC #1

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(Photo: DC Comics)

BATMAN #147

While it certainly feels like the Zur-En-Arrh storyline is dragging out a little bit too long at this point, Batman #147 feels pretty stable as turning points go. Bruce heads out of Gotham to come up with a plan to deal with Zur and take back his life, but comes to some realizations in the process. It's nothing terribly earth shattering - Bruce realizing he can't do this alone isn't exactly a new revelation and it's been sort of dragged out over a few issues, but it's neatly juxtaposed with Zur-En-Arrh having something of his own "teamwork" moment. It makes for an interesting comparison in an issue that is, otherwise, fairly basic and certainly feels like it's just taking space to the next major event. There's also some strong emotional notes here that resonate well, giving the issue a bit more heart. -- Nicole Drum

Rating: 3 out of 5

BIRDS OF PREY #9

Even as the central mystery of this Birds of Prey arc still remains unclear, the journey continues to be nothing short of extraordinary. From beginning to end, Kelly Thompson's script delivers clever rapport and shocking revelations that leave me very eager for the future. Jordie Bellaire's greyscale color work is unlike anything the book has had thus far, but absolutely outstanding, turning every well-executed panel from guest artists Jonathan Case and Gavin Guidry into a bonafide work of art. I've said it once, I'll say it again, Birds of Prey is one of DC's best books right now. -- Jenna Anderson

Rating: 5 out of 5

THE BOY WONDER #1

[READ THE FULL REVIEW HERE]

Batman is an icon of modern culture and as a result his stories have taken on a sort-of mythic quality; there are seemingly endless permutations of the same set of characters and tropes so that while there is no one "true" version, certain elements become fundamental. Cartoonist Juni Ba's The Boy Wonder leans into that meta-knowledge of these characters and their frameworks to present a genuinely iconic take on one of the relatively recent additions to Batman canon: Damian Wayne. -- Chase Magnett

Rating: 5 out of 5

KNEEL BEFORE ZOD #5

Well, you can no longer argue that this miniseries will leave Zod unchanged, as the events of this issue transform him into something practically unrecognizable. Some elements of that metamorphosis are more successful than others, as Joe Casey's narrative offers new twists and overplayed cliches in equal measure. Dan McDaid's art is just as varied, as these pages simultaneously contain inspired creature designs and all-too-familiar visual tropes from throughout the science fiction world. Regardless, the footing that Kneel Before Zod is currently on definitely has my interest piqued. -- Jenna Anderson

Rating: 3.5 out of 5

POISON IVY #22

Poison Ivy #22 is a little light on overall story in the sense that it's mostly just Pamela and Woodrue going back and forth with their own monologuing--his directed at her, hers more internal--but what it lacks in direct story it more than makes up for in action and revelation. For Pamela, the showdown is a final exam of sorts, one on in which she makes a major realization about not only herself, but the only way to end things once and for all - a personal sacrifice that may not only be the tipping point for Pamela as a person and a heroic figure of sorts, but also for the battle itself. The art in the issue is also fantastic, beautifully distorted to reflect the nightmare of the situation as well as its clarity. It's a lovely issue, even if it could stand just a pinch more forward motion. -- Nicole Drum

Rating: 3.5 out of 5

SHAZAM! #11

Shazam! #11 engages in familiar sitcom-style hijinks as an important CPS inspection occurs just as magical shenanigans kick off at home with Billy's family trying to cover up the chaos. The creative team manage to wring a few solid laughs from the hackneyed arrangement, but there's little tension surrounding either the mundane or supernatural threats. Instead, the issue's substance plays out largely in the background as Darla puzzles over a mystery that's slowly revealed in a build to the cliffhanger. Neither Man-Bat-like monsters nor quickly pulled curtains offer much excitement in artwork that struggles to deliver action, although Talky Tawny's appearance is perfectly executed. Overall, Shazam! #11 is a middling middle chapter that utilizes the series' humor to stall for time as the real conflict arrives just in time for issue #12. -- Chase Magnett

Rating: 3 out of 5

SUICIDE SQUAD: KILL ARKHAM ASYLUM #4

Captain Boomerang manages to survive the riot at Arkham Asylum through a mix of dumb luck, violence, and a strange sense of self-awareness in an issue that's true to one of DC Comics' most idiosyncratic, long-standing anti-heroes. The issue frames his story from a new perspective and provides the quirkiest collection of supervillains in Kill Arkham Asylum so far for his supporting cast. It provides plenty of opportunities for what this miniseries is striving to do best: gritty violence, visually spectacular powers, and blue humor. It's well-suited to Captain Boomerang's character and provides a number of effective action sequences, including a well-designed hypnotic splash, along with the first genuinely satisfying twist ending of the miniseries so far. Even if much of Kill Arkham Asylum has lacked charm, issue #4 makes the most of a tie-in premise to make for a fun bit of anti-hero action that fans of Boomerang will definitely want to seek out. -- Chase Magnett

Rating: 3.5 out of 5

Marvel #1

THE AMAZING SPIDER-MAN #49

Readers of superhero comics are typically wary of event tie-ins interrupting their favorite series, and that poor reputation is merited. However, Amazing Spider-Man #49 proves to be an exception to those expectations featuring John Romita Jr. 's outstanding depiction of New York City in the midst of a vampire takeover in a story that builds upon some of the series best supporting characters and key conflicts. The issue focuses on a singular incident within Spider-Man's experience of "Blood Hunt," allowing it to largely stand alone. Even if the vampire takeover hasn't been resolved by issue's end, readers have already finished a satisfactory Spidey adventure (minus the final page setup for the Amazing Spider-Man: Blood Hunt miniseries). Rather than worrying about the event, Amazing Spider-Man #49 emphasizes Spider-Man's distinct response to mass tragedy. It showcases Peter at his best, especially when the issue is at its darkest. There's a sense of empathy present that will (hopefully) infect the best of what's to come in "Blood Hunt" this summer, and it makes for a poignant moment that reads like the very best of Amazing Spider-Man. This issue delivers a top-notch example of how to utilize an event tie-in to support the best elements of an ongoing series, and regular readers ought to be glad that vampires paid Amazing Spider-Man a visit this month. -- Chase Magnett

Rating: 4 out of 5

THE AVENGERS #14

I have to say I'm liking this ad hoc team of Avengers Captain America has assembled. It's a cool way to give some under-utilized characters a spotlight, and remind readers of their existence. Plus it's good to have C.F. Villa back on art duties. I'm hoping some of these heroes stick around for future Avengers stories, either in the main series or in some kind of spinoff. -- Tim Adams

Rating: 4 out of 5

BLOOD HUNTERS #1

[READ THE FULL REVIEW HERE]

Blood Hunters #1 works to further examine the ramifications of a vampire outbreak in Marvel Comics, giving readers the chance to catch up on the lives of heroes they otherwise might not have seen in this event. While not every story is a home run, there's enough here to give Marvel fans something to sink their teeth into whether they're fans of the undead, Wolf Gods, light-baring superheroines, or moustache-sporting marksmen. -- Evan Valentine

Rating: 3.5 out of 5

CAPTAIN AMERICA #9

It this comic book almost over? No disrespect to the artists involved here but Captain America feels like just the wrong combination for everyone attached to it, resulting in some truly puzzling work from names who are known for so much more. It's time for a fresh start, for both the character and the creative team. -- Charlie Ridgely

Rating: 1 out of 5

CAPTAIN MARVEL #8

The battle against The Undone has reached epic proportions, and it's also managed to put the powerhouse Marvel family on their heels. The nature of Undone's power automatically puts Carol and her allies at a disadvantage, though writer Alyssa Wong uses this as a perfect opportunity to showcase Captain Marvel's resourcefulness and ability to adapt on the fly. Artist Ruairi Coleman, colorist Bryan Valenza, and inker Roberto Poggi deliver a thrilling and bombastic battle that makes conveys just how much of a threat The Undone can be, and that last scene certainly makes a big impression as well. While the battle unfolds on one side, Wong is also building up a delightful new duo in the Negative Zone, though the stakes are no less grand. Captain Marvel is firing on all cylinders at the perfect time. -- Matthew Aguilar

Rating: 4 out of 5

DAREDEVIL #9

In many ways, Daredevil still feels trapped in its old status quo nine issues into this new run. Matt & Elektra continue their on-again-off-again saga, Bullseye is still a loudmouthed prick, Matt's guilt-ridden actions have only alienated him from Foggy and the Kingpin is back to trying to run Hell's Kitchen. The comic book is all too aware that last bit is outdated, almost deliberately so. But unless it ties back into the "Seven Deadly Sins" arc, it feels more like the series is wheel-spinning. -- Connor Casey

Rating: 3 out of 5

Marvel #2

DEADPOOL #2

Deadpool #2 has a character development long-time Deadpool fans have been waiting for. And while it's great to finally see Ellie again, it looks like the new run is playing to long game with the reunion between her and her father. As for Wade, he gets to play off of Taskmaster this issue and it's a fun dynamic. -- Connor Casey

Rating: 4 out of 5

DOCTOR STRANGE #15

Cynically we have been trained by comic book crossover events to seek out every tie-in no matter the direct connection, luckily for readers, Doctor Strange #15 is a worthy addendum to Blood Hunt #1 that arrived last week. It helps that series architect Jed MacKay is also penning this series, delivering a companion issue that pushes the story further while also looking into a corner that's too niche for the larger event. If there is a stumbling block in the issue it's that the artwork seems to be in direct contrast to the tone of the narrative itself. Artist Pasqual Ferry and color artist Heather Moore are gifted, and their talent is clear throughout these pages, but there's a more light-hearted and fun tone being exhibited in these images than the story itself communicates. Not bad, but perhaps not fully in tandem. -- Spencer Perry

Rating: 3.5 out of 5

DRACULA: BLOOD HUNT #1

With vampires emerging all across the globe, one might think that Dracula himself would be reveling in the situation, and as he tracks down Blade's daughter Brielle Brooks, it would seem like he hopes to put her on the chopping block. One thing vampires didn't account for, though, is Brielle not only inherited Blade's physical abilities, but also his knack for killing vampires, which could cause a prickly predicament for Dracula when the two collide. With Marvel's Blood Hunt event only just recently kicking off, Marvel fans have a lot of questions about why there's a sudden infestation of the undead, and while those answers could help elucidate the premise of Dracula: Blood Hunt, those details aren't necessary quite yet. Dracula has a mission in mind and, despite assuming it would focus on one figure, this debut issue provides some unexpected outcomes, exciting us about what's to come. The story and artwork perfectly pair together for a pulpy and blood-soaked adventure that will appeal to Marvel readers more drawn to the horror side of the publisher's spectrum. -- Patrick Cavanaugh

Rating: 4 out of 5

FANTASTIC FOUR #20

Fantastic Four #20 sports a very humorous comics script built around the farcical conceit of the Human Torch and The Thing seeking out mundane, minimum wage work. The gag doesn't bear much scrutiny, but it produces so many silly asides and exchanges that it doesn't require much. However, it does wear thin over the course of 20 pages as the issue's stakes remain essentially non-existent; it's only in the final few pages that readers receive an emotionally charged dialogue that largely exists outside of the issue's story. Beyond that it's the same silly set up producing a number of quality gags. It's possible to imagine that not being a problem with a more humorous tone and aesthetic present in the issue; artists like Sergio Aragon?s, Erica Henderson, and Eric Powell are masters of making the small stuff meaningful in funny books. Artist Carlos G?mez's work delivers the story in a much-more straight-forward fashion that appeals to the best elements of Marvel's modern house style. Yet that's not what this issue requires and G?mez's work depicting so many mundane environments without much exaggeration or idiosyncrasy inevitably grows dull. There's merit to the humorous script and the superhero style of this issue, but they fail to effectively support one another when combined on the page - resulting in a sub-par team-up. -- Chase Magnett

Rating: 2.5 out of 5

GIANT-SIZE X-MEN #1

Angel gets the spotlight in Marvel's Giant-Size X-Men one-shot, which features a new story and a reprint of Marvel Two-In-One #68. The latter also features Angel in a fun team-up with The Thing, and it pairs quite well with the more introspective lead-story from Ann Nocenti, Lee Ferguson, KJ Diaz, and Cory Petit. Angel has often been the financial backbone of the X-Men while shifting between the lighter and darker sides of his personality after the trauma he suffered at the hands of Apocalypse. Its' resulted in a complex and yet still somewhat unexplored character, and Giant-Size looks to mine some of that untapped potential. While the end is a bit underwhelming, there is some genuine insight into who Angel is and how his unique journey has shaped him, and more importantly how he tries to deal with it all on a daily basis. For those who enjoy the character, you'll likely find enjoyment here as well. -- Matthew Aguilar

Rating: 3.5 out of 5

SPIDER-MAN: SHADOW OF THE GREEN GOBLIN #2

J.M. DeMatteis has been writing Peter Parker stories for decades, and is able to demonstrate in Shadow of the Goblin how he knows Spider-Man like the back of his hand. What the second issue of this new mini-series does is give us one of the greatest Spider-Man/Sandman interactions that we've seen to date. There are more than a few moments in this second issue that do a fantastic job of diving into Peter's psyche and how he's struggling not just being Spider-Man, but with the death of his uncle. Shadow of the Green Goblin feels tailor made for those missing on the early days of Peter Parker and it's an easy recommendation for Spidey fans in general. -- Evan Valentine

Rating: 4.5 out of 5

Marvel #3

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(Photo: Marvel Comics)

STAR WARS: DARTH VADER #46

With Darth Vader's Imperial "Schism" faction deviating from the rest of the Galactic Empire, they serve almost as his own hit squad, whether they agree with his motives or not. In hopes of thwarting Emperor Palpatine, Vader uses his squad to help strike out at Palpatine's growing power, as this Schism witnesses both the physical and mental power that Vader has amassed through his devotion to the ways of the Sith. While the previous arc in Star Wars: Darth Vader was relatively linear, showcasing the Sith Lord developing this group of defectors, kicking off this new arc offers glimpses of that narrative momentum yet juxtaposes it with imagery that showcases the ethereal and all-encompassing nature of Vader, the Force, and the power of the Sith. The explosions and carnage crafted by illustrator Raffaele Ienco and colorist Federico Blee feels entirely immersive, as if the readers themselves are being sucked into the blazing infernos, though they are ones we can safely escape by flipping the page. At this point, we have no real idea where this new narrative could be headed, but the artwork alone is reason enough to join Vader and his Schism to see just how far he'll go to plant the seed to destroy his former master. -- Patrick Cavanaugh

Rating: 4 out of 5

STAR WARS: THE HIGH REPUBLIC #7

Kreeve and Sskeer's journey continues to be the highlight of the current High Republic phase. This series balances so well the overall themes of Star Wars, putting its characters in various crisis of character and allowing the exploration of each of those issues to get its time to shine. It's also a master/apprentice story that borrows plenty from Anakin and Ahsoka, without ever taking so much that it feels like a copy. -- Charlie Ridgely

Rating: 4 out of 5

STRANGE ACADEMY: BLOOD HUNT #1

It was fun to check back in with the kids of Strange Academy. "Blood Hunt" is an event perfectly suited for this cast of characters, and they even introduce a vampire amongst their ranks. Plus, readers get a side story with a de-aged Agatha Harkness and the living embodiment of the Darkhold. It reminds me of how the Infinity Stones now have human hosts. I'm always a sucker for teenage superhero books, so Strange Academy: Blood Hunt was right up my alley. -- Tim Adams

Rating: 4 out of 5

VENOM #33

Artist Juan Ferreyra begins this issue of Venom with a dedication to his father, who recently passed away, noting it's the first comic he created without him around and that he couldn't be in this line of work without him. You did him proud Juan, even without Al Ewing's terrific prose, this issue of Venom would be a sight to behold from a visual standpoint. Ferreyra's style lends itself not only to the weird world of Venom and the otherworldly biology that comes with the character, but also the antagonist found here that ties into the "Blood Hunt" crossover event. Not only do the individual panels push the story ahead and capture emotion in devastating ways, but Ferreyra is also able to meld that into unique paneling layouts that feel alive and vibrant. A must read by an artist that has hit a homerun. -- Spencer Perry

Rating: 5 out of 5

WOLVERINE #49

Wolverine #49 sets the stage for the big climactic fight between Logan, Victor, Bad Seed and (presumably) Laura and the rest of X-Force on what's left of Krakoa. But it also gives one last reminder that, unlike Logan, Victor doesn't have any regrets for his past sins - he relishes them. It's one of the key differences between the two, and bravo to the comic book for managing to illustrate that while keeping the two separated for these past couple of issues. -- Connor Casey

Rating: 3 out of 5

X-MEN: FOREVER #3

X-Men: Forever #3 tries to depict an epic battle for the fate of Krakoa, but the art isn't up to the task. The visuals appear rushed, lacking in depth, and compositionally chaotic. They fail to visually differentiate between a looming, active Sentinel and one that's been deactivated, making a certain turning point feel confusing rather than victorious. Also, perhaps thanks to its positioning as a supplement to Rise of the Power of X, it's hard to shake the feeling that scenes are missing from the plot. It isn't a total misfire though. Gillen manages to get in some clever beats, and it's becoming increasingly clear that X-Men: Forever is, beyond being part of the Fall of X, a conclusion to the Hope Summers story he began back in Generation Hope back in 2010. But even Gillen can't help but fall prey to how overstuffed and rushed the Fall of X feels, with the reunion of Mystique, Destiny, and Nightcrawler--what should be the emotional focus of the book--feeling crammed into the corner of another story. -- Jamie Lovett

Rating: 2 out of 5

Other Publishers #1

AIN'T NO GRAVE #1

Ain't No Grave #1 is a little uneven, but there's clearly a lot of potential. The story follows Ryder, a reformed criminal in the old west who gets bad news about her health and, faced with dying and leaving those she loves behind, she decides to go on a dangerous journey. The premise is interesting and in terms of the narrative, the first issue does a solid job of setting things up. We get backstory, we get purpose. But the real unevenness comes in how much of the comic is spent on a lot of nothing. Just big scenes in a long ride with little engagement to really tell the reader much - and at times, the scenes can be a little difficult to follow. Still, it is intriguing enough and leaves the reader with an interesting hook to see what's next. -- Nicole Drum

Rating: 3 out of 5

BENEATH THE TREES WHERE NOBODY SEES #6

Beneath The Trees Where Nobody Sees was something self-evidently special when issue #1 delivered readers a chilling serial killer drama infused with a near-alien perspective on humanity and a potent mystery, all bound in Patrick Horvath's outstanding cartooning of adorable animals about town; it's the sort of idea that can only be found in comics. And with its final issue this week, Horvath makes clear that readers will want to revisit this talking-animal thriller for years to come. The less said about the actual events of this showdown between Samantha and her homegrown nemesis, the better, as readers are left to ponder what will happen alongside Nigel in sequences that recall and contrast the debut issue's introduction of Sam. What comes next is always tense and surprising in ways bound to both excite and chill its audience. Horvath utilizes understated details and some outstanding page turns to ensure that the first read keeps readers at the edge of their seats and later reads will be even more satisfying. -- Chase Magnett

Rating: 4.5 out of 5

CRITICAL ROLE: THE TALES OF EXANDRIA - ARTAGAN #3

The Tales of Exandria continues to build towards Artagan's final fate, with the trickster archfey being faced with the deadly consequences of his actions. It's interesting to watch the character seemingly seek to avoid retribution but acknowledging that he may in fact be a terrible person. The issue is that the comic has probably leaned a bit too heavily into Artagan's chaotic side and the damage it's done to so many people, that it's hard to really see much redeemable about him if folks haven't followed his somewhat redemption arc in the second Critical Role campaign. -- Christian Hoffer

Rating: 3 out of 5

CROCODILE BLACK #1

Crocodile Black is captivating from the very first page, and its grip only continues to tighten as you learn more about the world, the forces at play within it, and the conflicted young man that finds himself at the center of it. Phillip Kennedy Johnson wastes no time in setting a tone, and these opening pages will leave a lasting mark thanks to the talents of artist Som, colorist Patricio Delpeche, and letterer Becca Carey. That's all before even meeting the lead character Danny, but as Johnson starts to unravel his backstory you start to see the connecting fibers, and the more fantastical elements are coupled with an equally compelling character study of someone who is trying to take control of a life in the midst of chaos. That all comes together to create a book that is unlike anything else at the moment, and while the world is dark and brutal at times, I simply have to know what happens next, and I'm very much along for the ride. -- Matthew Aguilar

Rating: 4.5 out of 5

DEADWEIGHTS #2

Deadweights #2 levels out some of its tonal inconsistencies in its second issue, though it hasn't made a great case yet for what sets it apart from other "the superheroes are bad, actually" style takes on the genre. Thus far, there have been multiple instances of Clarence and Jerry pointing out the absurd resources used on the Paladins' base and training apparatus, and the dubious ethics of recruiting minors to be trained as a paramilitary force, and it all feels as if pulled out of the types of posts that often make the rounds during certain seasons of the comics discourse cycle on social media. Perhaps the secret sauce is in Jerry and Clarence themselves. The glimpses of their supervillain origin stories provided in Deadweights #2 hint at nuanced characterizations worth unpacking. The coloring of Deadweights also makes an impression. It may be a bit too close to a sepia monochrome at times but considering how often comics have depicted high-tech facilities like the Paladins' headquarters with the same familiar gradients of metallic gray, it's nice to see this sunblasted, sandy palette instead. There are some genuine laughs in Deadweights #2 as well. Here's hoping it all comes together as the series progresses. -- Jamie Lovett

Rating: 3 out of 5

THE DEVIANT #5

This issue exists mostly in a flashback, but it provides so much important context to the story at hand. It also feels like it's a very short issue, which is admittedly a little frustrating because this comic is so great and you want each issue to last as long as possible. That's just a testament to how wonderfully crafted this entire series has been. -- Charlie Ridgely

Rating: 4 out of 5

ENERGON UNIVERSE 2024 SPECIAL #1

[READ THE FULL REVIEW HERE]

If you want to try a different kind of shared universe, Energon Universe 2024 Special certainly delivers a strong case for its featured comics. I'm curious as to how Skybound will approach this world in the long term, but this one-shot is all about intrigue and possibility, which is perhaps the strongest sales pitch you can make for a still nascent shared universe. -- Christian Hoffer

Rating: 4 out of 5

Other Publishers #2

GEIGER #2

Geiger #2 is all about style because there's not much in the way of substance. It's a perfectly readable homage to the morally ambiguous plots and atmospheres of spaghetti Westerns neatly packaged in a single issue, but that is delivered with broad characters and unsurprising resolutions. The only shock in the issue arrives with a nihilistic cliffhanger. However, there's no denying the vibrancy of Gary Frank's post-apocalyptic landscape nor the thrilling effect of seeing a skeletal anti-hero leap across it in a train-related chase sequence. Geiger #2 may deliver a banal plot that leaves its leading man as unaffected as any, but it looks great delivering that, which given the gritty level of detail Frank brings to this dusty, radiation-soaked setting is alright by me. -- Chase Magnett

Rating: 3 out of 5

GONE #3

In wrapping up Gone, Jock provides a sensible conclusion to Abi's story that doesn't fully cover some of the weaknesses in the series overall. The conflict between the Sabs and the government authorities has been ill-defined throughout the series, and it remains so until the end, making all the scenes involving the two factions feel narratively weightless. Abi's two would-be mentors meet the same fates but by opposite means, each reflecting their differing character flaws, with Jay undone by his recklessness and the ship's captain trapped by his ambition and stubborn desire for control. Jock's artwork remains consistent throughout, with a two-page spread that takes a cross-section view of the ship's innards being a standout. However, there's little that really surprises or excites here. Despite the craftsmanship on display, the danger to the vessel from the strange hive-mind space gas, and Abi's fate hanging in the balance, the issue lacks much tension. Gone is so focused on the binary question of whether Abi survives that it doesn't invest readers in anything greater. It all hinges on Abi, who isn't a memorable enough character to connect with readers in a way that makes them feel the intensity of her situation. -- Jamie Lovett

Rating: 3 out of 5

THE LAST MERMAID #3

There's barely any dialogue in The Last Mermaid #3, and that's more than needed, given the strength of Derek Kirk Kim's cartooning. The consistent use of horizontal, rectangular panels throughout the issue makes reading the issue feel like reading polished storyboards, and there are moments where the pages feel practically animated. Such a technique could have made the issue dull, but Kim varies the sizes and panel count to change the pace and scale the impact appropriately. Kim's compositions convey how utterly adrift and alone the mermaid is within the water cave, and the environment's dark, aquatic coloring provides contrast to the sun-bleached landscape that awaits her outside. The issue doesn't pack much subtext or depth, just an incredibly well-executed and tense chase scene. The ending is a bit predictable given that Kim alerted readers to another person being in the mermaid's vicinity back in the series' first issue - one has to wonder if the impact would have been enhanced had he not, or if the reveal would have felt too much like a deus ex machina without the previous prompting - but he pushes past what feels like a breaking point enough times that danger feels real and rescue (such as it is) like a respite. The Last Mermaid #3 is a masterfully crafted comic. -- Jamie Lovett

Rating: 5 out of 5

MASTERPIECE #5

I'm loving the crew Masterpiece has assembled The dialogue was extra catchy and witty, probably because the drama picked up and the tension escalated. Masterpiece is picking up vital information from everyone in her orbit, and they all have important roles to play in taking down Zero Preston. My favorite part came when Gleason told the story of how he helped someone who was out to get him, turning kindness into a weapon. -- Tim Adams

Rating: 4 out of 5

MONSTERS ARE MY BUSINESS #2

With this second issue, Monsters Are My Business coalesces into a stronger (and gleefully weirder) series. Cullen Bunn's script delivers effective twists and wacky character-building moments in good measure, and the art from Patrick Piazzalunga is grotesque and wacky. Here's hoping the momentum continues from here, because it could help this series become something special. -- Jenna Anderson

Rating: 4 out of 5

NIGHT PEOPLE #3

The comic adaptation of Barry Gifford's novel delivers its best issue yet. With "The Ballad of Easy Earl," series scribe Chris Condon luckily has a story on his hands that can be molded into any kind of medium easily, and thanks to artist Artyom Topilin it works great as a comic. Topilin's paneling and character work depict a specific kind of world and its maybe the best pairing of artistic style with the grim and gritty world of Night People so far. Color artist Ronda Pattison is able to capture mood and tone with their contributions to the series, elevating the already unique style of Artyom Topilin and making this a delight to read on the whole. -- Spencer Perry

Rating: 4.5 out of 5

THE ODDLY PEDESTRIAN LIFE OF CHRISTOPHER CHAOS #9

In some regards The Oddly Pedestrian Life of Christopher Chaos #9 makes the series' first 8 issues seem like preamble. It's here that readers see a group of four, distinct friends building to future goals based upon conflicts both recent and centuries old - a strong foundation for a horror-tinged teen adventure with queer themes. And this reads like the comic book I expected to discover when picking up issue #1. Even if some elements, like the inclusion of Christopher's largely absent mother, are still predicated more on inference than text, the series is clearly building upon a strong foundation in this issue. The plot itself is diffuse as a wide array of new characters and threads are introduced for future payoffs, but there's plenty of sizzle to this set up. The final few pages alone justify the price of admission with a startling spin on lycanthropy, but the entire issue makes good use of its supernatural elements to keep events visually engaging. I anticipate reading more of this series. -- Chase Magnett

Rating: 4 out of 5

Other Publishers #3

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(Photo: Image Comics)

THE ONE HAND #4

The creative teams behind The One Hand and The Six Fingers have done an admirable job of pacing out the mysterious dual series. Reading the penultimate issue of The One Hand, it's almost easy to forget that what started as a murder mystery has now escalated into an existential crisis questioning the very fabric of the reality in which these characters live. Could there be anything more perfectly cyberpunk than that? Ram V does an admirable job of bringing readers along for Ari Nassar's descent into madness, or Truth, depending on how things turn out. Laurence Campbell, meanwhile, continues to pour on the heavy black and shadow, ensuring Neo Novena still feels like a half-remembered, shadowy dream even as patterns become illuminated. Even with only one issue of each series left, there still feels like plenty of mystery left to unravel in this thriller. -- Jamie Lovett

Rating: 4 out of 5

RED SONJA: EMPIRE OF THE DAMNED #2

This issue does not instill further confidence in me that Red Sonja: Empire of the Damned will continue to deliver. The script stretches its cliche dialogue as thinly as possible, and even the prospect of Sonja getting a new ally is left feeling incredibly flat. The aesthetic choices certainly don't help either, with Alessandro Amoruso's art being rendered incredibly unflattering by Salvator Aiala's color work. If you're looking for a new Sonja series to dive into, this isn't the one. -- Jenna Anderson

Rating: 1 out of 5

THE SACRIFICERS #8

The Sacrificers #8 is certainly building to something big and those final few pages make the appeal of Max Fiumara's art undeniable - possessing the scope of epic fantasy that grounds itself in an absorbing, visceral quality. That aesthetic makes each part of the sequence surrounding Pigeon's long walk compelling, but the individual elements of that journey stack up like a series of "and then"'s. Lacking a consistent geography or clearly-defined cultures, there's little tension before characters lash out. Even Pigeon's own inner turmoil remains mysterious to readers, despite them possibly narrating a portion of the issue. The conceptual appeal of The Sacrificers remains undeniable, but the concept isn't quite cohering here. -- Chase Magnett

Rating: 3 out of 5

TEENAGE MUTANT NINJA TURTLES: BLACK, WHITE & GREEN #1

I am admittedly a complete newbie when it comes to Teenage Mutant Ninja Turtles so each of the four stories in Teenage Mutant Ninja Turtles: Black White & Green #1 felt like solid ways to get in on the stories of the characters in a way that was approachable for someone with lots of familiarity and someone like me who has none. Each story takes a different approach and, generally, follows a different turtle, showcasing personality and fighting styles. The real standout story, however, might be "Green Screen" just because it was both funny and heartfelt, but also had some of the most crisp art. However, what makes this issue maybe not as great as it could be is the use of color. As one might guess from the title, green is the only color used in the issue and it makes it a little difficult to look at sometimes and even more challenging to differentiate between the characters when they, generally, look very similar. -- Nicole Drum

Rating: 3 out of 5

TRANSFORMERS #8

Transformers #8 is shifting gears from the tight structure of its introductory arc (perfect for a best-selling TPB) into the long term investments of serialized superhero team series. That isn't to say this series plays like superhero comics--it clearly possesses its own special genre-melange of sci-fi, adventure, and war comics--but it does possess a wide-ranging interest in subplots and diverse characters exemplified in series like Claremont's Uncanny X-Men. What makes it work under Daniel Warren Johnson's direction is a preparedness to make every page count with compelling characterization, plot twists, terrific action sequences, and often a blend of all three. The story moves quickly and draws out lots of interesting drama from an exceedingly strange ensemble of characters. Jorge Corona ensures that all of these characters remain distinctive and provides even blank-faced robots with a surprising degree of emotionality. Although there are some issues of consistency in portraying the scale of Transformers, there's no denying that panels emphasizing scale will still leave readers demanding more. -- Chase Magnett

Rating: 4.5 out of 5

USAGI YOJIMBO: THE CROW #2

Usagi Yojimbo: The Crow #2 features Sakai's fine cartooning, as strong as ever with great expressiveness from its character, and its central theme, that of Yukichi with his youthful idealism regarding the samurai code confronted with the reality of what one must do to survive without a master, is compelling. The issue does highlight some of the limitations of coloring in Sakai's work. Hi-Fi's flat coloring is appropriate for Sakai's style. However, the vibrancy is in conflict with the mood of the story Sakai is trying to tell with his visuals, emphasizing how rundown the town where Yukichi and Usagi are staying is and the roughness of the bounty hunters they find themselves in conflict with. In black and white, Sakai's linework is versatile enough to take on whatever mood the story suggests (or the density of his brilliant hatching implies). Here, the coloring fills that void in a way that isn't entirely comfortable. It hardly makes the issue poor reading and makes it more inviting to those not reared on black-and-white indies, but it does feel like something was lost. -- Jamie Lovett

Rating: 4 out of 5

THE WITCHER: CORVO BIANCO #1

Whereas much of Dark Horse's Witcher comics play like short stories--Geralt walking into a specific adventure and resolving it before moving forward--Corvo Bianco #1 plays like the next chapter in Geralt's serialized adventures, for better or for worse. Most readers will likely be thrilled to hear about and then see a key member of Geralt's supporting cast. And they return to an idyllic setting that allows Geralt to present his best attitude and humor. This vineyard of Corvo Bianco is well-drawn and presents a great locale both for friendly encounters and bloody action, even if the action presented in this issue reads as forced in its insertion and depiction. But the appearance of mysterious antagonists and stakes closely tied to Geralt's own self make the future events of Corvo Bianco much more appealing. It will be intriguing to see how this story plays out and what, if anything, it may portend for the future of Dark Horse's excellent Witcher comics. -- Chase Magnett

Rating: 3.5 out of 5

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My Adventures with Superman Season 2 Drops New Clip: Watch https://comicbook.com/anime/news/my-adventures-with-superman-season-2/ Tue, 07 May 2024 21:12:00 +0000 Megan Peters 94194c5a-30ad-420a-ae0c-2d83a72ad08b

My Adventures with Superman is almost ready for its season two drop! If you did not know, the hit anime-centric series is gunning for a comeback. Toonami will bring My Adventures with Superman season two to life later this month, and a brand-new peek at the premiere has gone live.

As you can see below, the team at Adult Swim posted the epic sneak peek. My Adventures With Superman season two will pick up with Clark Kent and his usual gang. In this special clip, we can see Clark in full Superman gear as he escorts Lois Lane through an armed prison of sorts. It is there we encounter Amanda Waller, and it seems like she doesn't get along with Superman in the least.

If you are are eager to check out My Adventures with Superman, it will be going live in a few weeks. The show is slated for a double-premiere on May 25th. The episode will then move to Max next day, so netizens will be able to peep the much-awaited comeback ASAP.

For those unfamiliar with the series as it, My Adventures with Superman is the most recent title to tackle the DC Comics icon. Starring Jack Quaid, the animated series features some gorgeous anime-inspired art by the team at Studio Mir. My Adventures with Superman premiered in July 2023 to rave reviews, and it did not take long for a season two order to drop. So for more info on the series, you can read the official synopsis of My Adventures with Superman below:

"Clark Kent builds his secret Superman identity and embraces his role as the hero of Metropolis, while sharing adventures and falling in love with Lois, a journalist, who also takes Jimmy Olsen under her wing."

What do you think about this latest look at My Adventures with Superman? Let us know what you think over on Twitter and Instagram. You can also hit me up @MeganPetersCB to share your take!

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The Weekly Pull: Birds of Prey, Giant-Size X-Men, Teenage Mutant Ninja Turtles: Black, White, & Green, and More https://comicbook.com/comics/news/new-comics-this-week-marvel-dc-may-8-2024/ Tue, 07 May 2024 20:26:00 +0000 Jamie Lovett 79ff0ae9-821e-4c11-bcd0-b5de1dc06c50
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My Adventures With Superman Season 2 Re-Introduces The Suicide Squad in New Clip https://comicbook.com/anime/news/my-adventures-with-superman-season-2-suicide-squad-clip-watch/ Tue, 07 May 2024 18:21:00 +0000 Evan Valentine e6f5fb0a-46e5-4363-9f3e-471eeef818ed

My Adventures With Superman is the latest animated take on the Man of Tomorrow, using an anime aesthetic to tell a new chapter for Clark Kent, Lois Lane, and Jimmy Olsen. While the trio learned a lot about one another in season one, season two is looking to up the stakes by introducing some familiar villains and heroes to Superman's life. In a new clip released by Adult Swim, fans can witness Clark taking on Amanda Waller once again who has some serious back-up with a new addition to her Task Force X squad.

For those who didn't have the chance to watch the first season of My Adventures With Superman, Amanda Waller was a big part of the animated series. Working alongside Lois' father, Sam Lane, Waller sees Clark as a threat to humanity, believing that he might be the first arrival of an alien army that is looking to make Planet Earth its own. While Sam was able to see Clark for who he was in the first season, Amanda remains deadset on protecting the world by any means necessary, which includes putting together a team of supervillains working under her command. We'll see more of this fight when the second season premieres on May 25th.

My Adventures With Superman: The Suicide Squad Returns

One of the biggest members of Waller's crew in season one was Slade Wilson, aka Deathstroke. In this new season, it would seem that the crew has added the "Atomic Skull" into the mix, a classic Superman villain who has the ability to blast radiation on the regular. From the clip, you can see that the Skull is just as strong as his comic book counterpart if not more so.

If you want some hints about what is to come in the second season of Adult Swim's take on Metropolis, here's how Cartoon Network describes season two, "In the latest season, the three best friends face a host of new threats. Powerful foes will emerge from Clark's alien past, Amanda Waller will take aim at Superman, Lois will grapple with the future, and Jimmy Olsen will spend an unbelievable amount of money. Krypton is coming for our young heroes, and its arrival will test their strength, loyalty, and love like never before."

Want to know more about this new take on the Man of Steel? Follow along with Team Anime on ComicBook for all the latest updates on Adult Swim's take on Superman.

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Chris Pine Admits He Was Stunned When Wonder Woman 3 Was Cancelled https://comicbook.com/movies/news/chris-pine-admits-he-was-stunned-when-wonder-woman-3-was-cancelled/ Tue, 07 May 2024 15:49:00 +0000 Russ Burlingame 2ffb6c03-0137-4ad4-ad8e-f29dd30a6a65

Chris Pine says he was "stunned" to discover that Warner Bros. had decided to change course on the Wonder Woman franchise, cancelling the planned third installment in the series. The first film in the franchise remains one of the most beloved comic book movies of the last 20 years, and the best-reviewed movie in the DC Extended Universe franchise, which ran from 2012's Man of Steel up through last year's Aquaman and the Lost Kingdom. The second movie in the franchise, Wonder Woman 1984, was not nearly as popular with fans and critics, and due to its 2020 release date also only managed to bring in $169 from the global box office.

Even after the disappointment of Wonder Woman 1984, Warner Bros. and Patty Jenkins were both talking about working together on a third installment. That seemingly fell off the schedule around the time Warners brought in James Gunn and Peter Safran to reboot the DC Universe.

"I'm stunned that they said no to a billion-dollar franchise and decided to pivot elsewhere," Pine told Business Insider. "I don't know what the reasoning was behind that; it's above my pay grade, but Wonder Woman is an incredible character; Patty is such a thoughtful director."

Regardless, it seems Pine had already assumed he wasn't returning. After all, he had died twice over the course of about 75 years by that point.

"It would be ridiculous to try to bring me back," Pine admitted.

Jenkins won't be involved, but DC is developing a new series set on Paradise Island. An Amazons spinoff was also planned while Jenkins and the old management team was in charge, but that's not the same project as the one currently being developed. Jenkins has said that she doesn't think she will be coming back to the franchise, and original Wonder Woman TV series star Lynda Carter has said the same. At the start of the new DC Universe, Gal Gadot teased the idea that she might still return in the new universe, but that feels pretty unlikely from the few things we know so far about James Gunn and Peter Safran's new universe.

You can get the first two Wonder Woman movies on disc and digital now.

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The Boy Wonder #1 Review: A Fabulous Fable for Gotham City https://comicbook.com/comics/news/the-boy-wonder-1-review-juni-ba-dc-comics/ Tue, 07 May 2024 15:00:00 +0000 Chase Magnett 551b4596-7596-4faa-9ac7-da7208eda2e0 Batman is an icon of modern culture and as a result his stories have taken on a sort-of mythic quality; there are seemingly endless permutations of the same set of characters and tropes so that while there is no one "true" version, certain elements become fundamental. Cartoonist Juni Ba's The Boy Wonder leans into that meta-knowledge of these characters and their frameworks to present a genuinely iconic take on one of the relatively recent additions to Batman canon: Damian Wayne.

The Boy Wonder #1 introduces readers to its narrative via a framing device in which a woebegone criminal is told a story by their hostage in Sheherazade-like fashion. What unfolds is instantly recognizable as the superhero origins of Damian Wayne, but its visual and prose style are bound in the tropes of fables and myths. Damian is shown to be the youngest child in a powerful dynasty seemingly in competition with adopted elder brothers, and it all rings true to the core mythos of Damian Wayne across media. This origin presents a young man of great potential riven with conflicts, internal and external, every bit the star character presented across Morrison's astonishing Batman run. And it seats that version of Damian--haunted by his past, striving for impossible standards--into a new adventure staged to reflect his essential relationships and nature. It's an outstanding premise for any reader fond of Batman's biological son.

The first issue also showcases how far-ranging this miniseries seeks to be, delivering a wide array of supporting Bat-friends and multiple engaging villains. There's plenty of action and humor amidst the unfolding mystery and chase that will bind this miniseries together. Which is simply to say that The Boy Wonder possesses the special blend of entertainment and wisdom that mark great fables.

Juni Ba's artwork is essential to this experience. He deftly shifts perspectives and scale to economically recap backstory and provide plenty of detail and space to the critical junctures of Damian's current story. There's a deft use of iconography in how Ba delivers the core of Dick Grayson's character in two brilliant pages. What makes these compressed sequences all the more impressive is how they are reflected back into the current narrative, as shown when Damian takes a lesson from who Dick is.

The story remixes itself as superhero adventure, feudal legend, and supernatural thriller at the turn of a page; Ba is more than capable of delivering all of these. All of the characters who appear in this first issue are instantly recognizable as they are composed with striking silhouettes with costume designs that are as close to evergreen as Batman fans might ever agree upon. Ba capably delivers emotionality with only a few well selected lines and expressive figures. Every page possesses an undeniable vitality with such lively compositions.

The Boy Wonder #1 is a special comic book as it tells a moving minor adventure unto itself while framing a grander hero's journey for Damian Wayne in the miniseries to come. Its framing of Damian expresses the clearest understanding of what makes the character resonate with readers and threatens to define the young hero for years to come.

Published by DC Comics

On May 7, 2024

Written by Juni Ba

Art by Juni Ba

Colors by Chris O'Halloran

Letters by Aditya Bidikar

Cover by Juni Ba

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Wonder Woman Star Lynda Carter Pays Tribute to Late Stuntwoman Jeannie Epper https://comicbook.com/tv-shows/news/wonder-woman-star-lynda-carter-tribute-stuntwoman-jeannie-epper/ Tue, 07 May 2024 01:11:00 +0000 Jenna Anderson c5b3c827-832a-4893-bca2-74311a5e5c62

The entertainment world continues to mourn the loss of Jeannie Epper, after the stuntwoman passed away due to natural causes on Sunday, May 5th. Epper was a prolific stuntwoman across movies and television with more than 100 credits to her name, including doubling for Lynda Carter's Diana Prince / Wonder Woman in the Wonder Woman television show. In a social media post on Monday, Carter paid tribute to her onscreen double, championing Epper for being "a vanguard" of her field. The post also included a behind-the-scenes photo of Carter and Epper together.

"I have a lot to say about Jeannie Epper," Carter's post reads. "Most of all, I loved her. I always felt that we understood and appreciated one another. After all, it was the 70s. We were united in the way that women had to be in order to thrive in a man's world, through mutual respect, intellect and collaboration. Jeannie was a vanguard who paved the way for all other stuntwomen who came after. Just as Diana was Wonder Woman, Jeannie Epper was also a Wonder Woman. She is so beautiful to me. Jeannie, I will miss you."

Born on January 27, 1941 in Simi Valley, California, Epper was the second generation of her family to go into the stunt field.

"I knew down deep inside I wanted to do something sporty or athletic," Epper told Wonderland. "I wasn't quite sure where I was going, so the stunt business seemed to be right up my alley. It was what I wanted to do. I stood in a lot, worked as an extra, in those days you did all that, and I ended up doubling this person and that person, and my career was on its' way. I have a lot of my fathers integrity, which is, if I can do it, I can do it, and if I can't, I'll tell you I can't."

Beginning her career as one of the first child stunt performers, she eventually broke through as Carter's double on Wonder Woman, as well as Kate Jackson's double on Charlie's Angels.

"It wasn't until sexy ladies like Linda Evans and Lynda Carter said we didn't want hairy-legged boys doubling for us anymore," Epper previously told The Television Academy. "They said, 'These girls are just as good as the guys, only they have shaved legs and don't have hairy armpits.'"

Epper's filmography went on to include Romancing the Stone, Catch Me If You Can, Minority Report, Close Encounters of the Third Kind, 1941, Blade Runner, Poltergeist, Kill Bill: Vol. 2, The Fast & the Furious: Tokyo Drift, and The Amazing Spider-Man. Her final onscreen credit was in 2015's Hot Pursuit.

Our thoughts are with Epper's family, friends, and fans at this time.

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Superman & Lois: The Flash's Tom Cavanagh to Guest Star in Series Finale https://comicbook.com/tv-shows/news/superman-lois-the-flash-tom-cavanagh-guest-star-series-finale/ Mon, 06 May 2024 22:57:00 +0000 Jenna Anderson a49abf90-fe36-48c7-83d2-0193eafe762a

Another Arrowverse alum is headed to Superman & Lois before the series bids its farewell. During a panel at FAN EXPO Philadelphia, former The Flash star Tom Cavanagh revealed that instead of directing the finale of Superman & Lois, as he has done in past seasons, he will instead be guest-starring in the episode itself. Cavanagh served as a series star on The Flash for nearly its entire run, portraying multiple incarnations of Harrison Wells across the multiverse, as well as Eobard Thawne / Reverse-Flash. It is unclear at this point if Cavanagh will be playing one of these existing Wellses, or an entirely new character. Given the fact that Superman & Lois is now confirmed to be set in a different universe than the main Arrowverse, the question of franchise connections and cameos has certainly evolved.

"The finale for Superman & Lois was taken up already, and so I said, 'Well, I'm happy to not do it,'" Cavanagh revealed. "[Showrunner] Todd [Helbing] was like, 'Well, would you play a role?' So that's coming up for those of you that watch Superman & Lois, something that I'm happy to have done."

When Will Superman & Lois' Final Season Air?

It has been confirmed that Superman & Lois' final season will air at some point in 2024, after the final batch of episodes were already delayed due to last year's Hollywood strikes. Superman & Lois will be, for the foreseeable future, the final DC TV show to air on The CW, a trend that began with Smallville all the way back in 2001.

"Over the last three seasons, SUPERMAN & LOIS redefined both the superhero genre and family drama as Tyler, Elizabeth and the entire cast effortlessly portrayed these classic characters with new layers of depth and complexity that had never before been explored in the Superman universe," said Brad Schwartz, President of Entertainment, The CW Network. "We are grateful for the years of hard work and graceful storytelling from the show's writers, producers, actors and crew, as well as our terrific partners at Warner Bros. Television and Berlanti Productions. As Superman embarks on his final flight, the team is leaving us with an absolutely epic 10-episode must-watch-every-minute farewell to one of the most legendary CW families ever."

"While we're sad to say goodbye to SUPERMAN & LOIS at the end of Season Four, we're grateful for the time we've had with our amazing cast, crew, vfx teams, editors, musical geniuses, and writers. Since the day this show was first discussed, it was about family. And that's what was created-on and off screen," said executive producers and co-showrunners Todd Helbing and Brent Fletcher. "We'd like to thank our partners at Berlanti Productions, DC, WB and The CW for their endless support and enthusiasm during this journey...and give a very special thank you to all the fans for tuning in. We're thrilled about what we have in store in our final season, and can't wait for everyone to watch as Superman, Lois and all our heroes face off against the biggest threat in the show's history-Lex Luthor."

Who Will Return for Superman & Lois Season 4?

Superman & Lois was just one of four original shows that The CW renewed for the 2023-2024 season, in addition to Walker, All-American, and All-American: Homecoming, amid a slew of programming changes made by its new parent company, Nexstar. Shortly after the Season 4 renewal, it was confirmed that the show would be trimming down its cast of series regulars, with Dylan Walsh (Sam Lane), Emmanuelle Chiriqui (Lana Lang), Erik Valdez (Kyle Cushing), Inde Navarette (Sarah Cushin), Wole Parks (John Henry Irons), Tayler Buck (Natalie Irons), and Sofia Hasmik (Chrissy Beppo) all demoted to recurring or guest star roles.

As a result, Tyler Hoechlin (Clark Kent / Superman), Elizabeth Tulloch (Lois Lane), Michael Bishop (Jonathan Kent), and Alex Garfin (Jordan Kent) in their series regular roles for Season 4. Additionally, Michael Cudlitz has been promoted to a series regular role for his portrayal of Lex Luthor, and Douglas Smith as Jimmy Olsen.

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Superman: James Gunn's First-Look Image of David Corenswet and That Evil Orb Explained https://comicbook.com/dc/news/superman-2025-movie-explained-costume-photo-villain-solaris-james-gunn/ Mon, 06 May 2024 19:46:00 +0000 Kofi Outlaw 1d7658ec-0593-419d-a96d-fa4401a9e5b0

James Gunn released a first-look promo image from his Superman movie, featuring actor David Corneswet making his official full-fledged debut in the new Superman costume. However, Gunn only makes chess moves when it comes to promoting his new DC Universe, so the image for Superman contained some choice Easter-egg details for fans to analyze.

The New Superman Suit

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(Photo: DC)

Superhero movie costumes are always a big deal - and no suit's a bigger deal than the Superman suit. Fans always have serious feelings toward just about every detail of the iconic Superman look (or deviations from it) and David Corenswet's Superman is no different.

The suit that James Gunn is going with for the DC Universe looks like it has the high-collared design of Superman's "New 52" costume - and the same could be said for the line patterning on the blue and red portions of the costume, as well as the cuffs of the boots and shirt sleeves. That said, the Superman insignia on the costume looks like a mix between the classic and new-age designs, and the photo doesn't make a pronounced point about it but in close-up it's clear that Corenswet's Superman will be wearing the red briefs on the outside - the epitome of a classic look for the character. However, the location of this scene is questionable: floor-to-ceiling windows in a downtown apartment, on a reporter's salary? Hard to believe.

The biggest point of curiosity right now seems to be the state of Superman's costume in this photo. The suit has definitely seen better days than the scorched mess we see in the upper-right chest area. Obviously, Superman's been in some intense battle, and the appearance of a giant, floating, ocular-shaped energized object in the background seems to be the culprit.

What Is The Glowing Orb In James Gunn's Superman Photo?

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(Photo: DC)

We can only speculate at this point, but DC fans have theories about what James Gunn is teasing with the deadly orb in the sky over Metropolis.

DC's Solaris Explained - The most compelling guess from fans is that James Gunn is teasing the DC villain "Solaris," who was created by Grant Morrison in the 1998 event series DC One Million, and had a key role in Morrision's now-classic limited series All-Star Superman.

Solaris is a sentient artificial sun that was created through a temporal paradox effect, in which Solaris of the 853rd Century used the Future version of Hourman to travel back in time travel and infect the 20th Century with a virus that ensured its creation. Solaris can infect and consume stars, and through his battles with present-day Superman (or "Superman Prime"), Solaris becomes obsessed with battling Superman and all his descendants, in a feud that lasts from the 20th Century all the way to the 853rd.

In All-Star Superman (which is the source material James Gunn originally hinted at as inspiration for his film), it turns out to be Solaris who is the secondary villain of the story. Solaris teams with Lex Luthor in a plan to take down Superman by tinting the sun to a red color (de-powering Clark Kent), while Lex Luthor had a Superman serum giving him strength. Solaris went so far as to poison the Earth's sun (betraying Lex), forcing Superman to sacrifice his own life to re-power the sun.

While the creature in the background of the image could, in fact, be some creation of Brainiac's (another frequent cohort of Luthor's), or some threat made by Lex, it feels more likely that Gunn is sticking to his guns and is adapting All-Star Superman in some form.

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Superman Costume Reveal Confirms the Status of the Man of Steel's Trunks https://comicbook.com/movies/news/superman-david-corenswet-costume-reveal-trunks-confirmed/ Mon, 06 May 2024 18:02:00 +0000 Timothy Adams 16322e8b-f988-473e-93d9-03093f058226

We've got confirmation that David Corenswet's Superman will indeed wear trunks on his costume. Superman has one of the most iconic costumes in superhero comics, with the suit sticking close to its original design over various iterations. One of the most hotly debated topics concerning the Man of Steel's costume always comes down to trunks or no trunks. Some fans like their Superman to have his red trunks, while others prefer a more "real-world" approach to having the trunks underneath the costume. As we approached the start of filming on James Gunn's Superman, the anticipation for the big costume reveal only intensified. With the Superman costume officially revealed, we also can see there will be trunks as well.

James Gunn shared a photo of David Corenswet in his Superman costume, slipping a pair of boots on his feet with the caption, "Get ready. Superman 7.11.25 @dcofficial." Though it may be hard to make out, you can see Corenswet does have red trunks on. It's also worth noting that it appears Corenswet may also have on a black belt, which would be a nod to Superman's Kingdom Come suit. You can take a look at the photo below.

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(Photo: James Gunn / Warner Bros)

New Superman costume also has New 52 connection

Along with the trunks, David Cornswet's Superman costume also brings back the neck collar that debuted during DC's New 52. When DC rebooted its comic book universe, it brought with it updated costumes for some heroes like Superman. This Clark Kent was much younger and inexperienced at being Superman, and while his first costume was kept simple with a t-shirt and jeans, the Man of Steel's Justice League costume famously had no trunks and a collar.

The collar displayed in the new Superman photo isn't exaggerated, but you can definitely see it. Perhaps it's meant to be a merging of the trunks/no trunks brigade, with the trunks visible from the outside of the costume, but also a real-world appearance of the costume having a collar on it.

What is Superman about?

Per DC Studios, Superman tells the story of Superman's journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent of Smallville, Kansas. He is the embodiment of truth, justice and a better tomorrow, guided by human kindness in a world that sees kindness as old-fashioned.

"We got James Gunn and Peter (Safran) working very hard on DC, which is going to be a very big growth driver for this company," Warner Bros. Discovery CEO David Zaslav explained last year. "We are very bullish on DC. The Superman script first draft is done. Gunn is on a mission from god. It is a really good moment to prove out on DC what we got and how strong it is globally for long-term sustainable growth."

Superman will also star Rachel Brosnahan as Lois Lane, Skyler Gisondo as Jimmy Olsen, Wendell Pierce as Perry White, Sara Sampaio as Eve Teschmacher, Terence Rosemore as Otis, Mar?a Gabriela de Far?a as Angela Spica / The Engineer, Isabela Merced as Kendra Saunders / Hawkgirl, Nathan Fillion as Guy Gardner, Edi Gathegi as Michael Holt / Mr. Terrific, and Anthony Carrigan as Rex Mason / Metamorpho.

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Superman: James Gunn Reveals David Corenswet's New Costume With Epic Photo https://comicbook.com/movies/news/superman-full-look-at-david-corenswets-costume-revealed/ Mon, 06 May 2024 16:11:00 +0000 Jenna Anderson 5c49e5d9-9ebe-43ea-89e2-ac8c57430004

Superman is easily one of the most iconic fictional characters of all time, with the Man of Steel's story being told across comics, movies, television, and so much more. Next year, the DC character is headed back onto the big screen with a new live-action portrayal, as David Corenswet as been cast in the titular role of James Gunn's Superman. With production on the film underway, Gunn previously revealed a glimpse of the emblem on the Superman costume -- and now, we have the best look yet at the suit in all of its glory.

Today, Gunn officially unveiled the first full look at Corenswet in costume as Clark Kent AKA Superman on Threads. You can check it out below.

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(Photo: James Gunn / Warner Bros)

What Is Superman About?

Per DC Studios, Superman tells the story of Superman's journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent of Smallville, Kansas. He is the embodiment of truth, justice and a better tomorrow, guided by human kindness in a world that sees kindness as old-fashioned.

"We got James Gunn and Peter (Safran) working very hard on DC, which is going to be a very big growth driver for this company," Warner Bros. Discovery CEO David Zaslav explained last year. "We are very bullish on DC. The Superman script first draft is done. Gunn is on a mission from god. It is a really good moment to prove out on DC what we got and how strong it is globally for long-term sustainable growth."

Who Will Star in Superman?

Superman will also star Rachel Brosnahan as Lois Lane, Skyler Gisondo as Jimmy Olsen, Wendell Pierce as Perry White, Sara Sampaio as Eve Teschmacher, Terence Rosemore as Otis, Mar?a Gabriela de Far?a as Angela Spica / The Engineer, Isabela Merced as Kendra Saunders / Hawkgirl, Nathan Fillion as Guy Gardner, Edi Gathegi as Michael Holt / Mr. Terrific, and Anthony Carrigan as Rex Mason / Metamorpho.

"We've been having a lot of great conversations, David and I, with James Gunn, the director," Brosnahan revealed in a recent interview. "We've been talking a lot about where this project fits into the canon of the Supermans that we know. So hopefully, this'll be... we'll be putting our own stamp on things."

What Is on the DC Universe Slate?

As Gunn and Safran revealed back in January of 2023, the initial DC Studios slate for "Gods and Monsters" will include movies for Superman, The Brave and the Bold, Supergirl: Woman of Tomorrow, Swamp Thing, and The Authority. It will include the HBO Max television shows Waller, Booster Gold, Lanterns, Paradise Lost, and an animated Creature Commandos series.

An animated Jurassic League movie and a live-action Teen Titans movie are also reported to be in the works, but neither have been officially confirmed by DC Studios.

What do you think of the latest behind-the-scenes look at Superman? Share your thoughts with us in the comments below!

Superman is currently scheduled to be released exclusively in theaters on July 11, 2025.

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Free Comic Book Day 2024: The 10 Cant-Miss Titles to Pick Up https://comicbook.com/comics/news/free-comic-book-day-2024-ten-must-read-titles/ Fri, 03 May 2024 20:59:00 +0000 Timothy Adams c5d81254-421f-4f62-baf0-1f30fbd8884f
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Harley Quinn Star Addresses Season 5 Return https://comicbook.com/dc/news/harley-quinn-star-addresses-season-5-return/ Thu, 02 May 2024 16:45:00 +0000 Jamie Jirak 20ca2cc0-fe78-4786-b7f7-a9b796c03872

It was announced back in November that the beloved animated series, Harley Quinn, had been renewed by Max. DC fans are eager to see the show's upcoming fifth season, especially after the season four finale featured some exciting shakeups and teases. In the finale, it was revealed that Batgirl had survived Joker's shooting, and is now paralyzed from the waist down. She was still able to help Harley and Poison Ivy take down Lex Luther using her tech skills, and she revealed at the end of the finale that she was leaving the Bat Family to take her skills to another team: the Gotham City Sirens. ComicBook.com recently had the chance to chat with Batgirl voice actor, Briana Cuoco, and we asked if she has read anything for season five.

"I don't know anything," Cuoco admitted. "I just got asked this in another interview and he thought I was being facetious. I actually really don't. I hope that girl's around, obviously I have no control over that. I love her so much. I love how sort of earnest she is and pure and I mean, obviously in this last season she's changed a little bit, but I adore her and I hope I get to go back."

Max Teases Harley Quinn Season 5:

"The talented Harley Quinn team has once again succeeded in delivering a season that builds on everything that has come before while still feeling fresh and inventive," Suzanna Makkos, Executive Vice President, Original Comedy and Adult Animation, Max and Adult Swim said when the show was renewed. "They continue to provide hilarious, heartwarming, and deranged stories with our lovable group of DC misfits, and we couldn't be more excited for the fans to see what they've accomplished in season 5."

Watch Briana Cuoco in Dead Boy Detectives:

You can currently watch Cuoco in Dead Boy Detectives on Netflix. You can read the description of the series here: "Do you have a pesky ghost haunting you? Has a demon stolen your core memories? You may want to ring the Dead Boy Detectives. Meet Edwin Payne (George Rexstrew) and Charles Rowland (Jayden Revri), "the brains" and "the brawn" behind the Dead Boy Detectives agency. Teenagers born decades apart who find each other only in death, Edwin and Charles are best friends and ghosts... who solve mysteries. They will do anything to stick together - including escaping evil witches, Hell and Death herself. With the help of a clairvoyant named Crystal (Kassius Nelson) and her friend Niko (Yuyu Kitamura), they are able to crack some of the mortal realm's most mystifying paranormal cases."

Stay tuned for more from our interview with Cuoco.

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Marvel Star Would Love To Play Batman for James Gunn https://comicbook.com/movies/news/batman-james-gunn-dc-black-panther-fall-guy-winston-duke-role/ Thu, 02 May 2024 16:19:00 +0000 Aaron Perine 0574a270-5796-496b-8925-f54641c46ca8

Black Panther star Winston Duke would absolutely leap at the chance to play Batman in James Gunn's DC universe. /Film caught up with the actor as he's tackling The Fall Guy with Ryan Gosling. The question of James Gunn's The Brave and the Bold came up, and the MCU star couldn't contain his excitement. Duke would love nothing more than to play The Dark Knight on the big screen. He's already perfomed the role of Bruce Wayne on Batman Unburied, Spotify's Batman audio drama. The Black Panther actor is also a massive nerd, so the fact this question even came up is amazing to him.

""Listen, man, can you start that [campaign]?," Duke chuckled. "I would say I challenge you to get on all these socials and push for me. Get your community. I would love to. I would love to do that as Batman. I'd love any opportunity to explore new characters, to change narratives around some of these entrenched ideas of how these characters are supposed to look, sound, and perform. I'm all for it."

Winston Duke Stars In Batman Unburied

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(Photo: DC Entertainment)

As we said earlier in this piece, Duke already has some experience with the world of Batman. Batman Unburied has been a success over on Spotify. David S. Goyer penned the Audie drama. WebToon and Spotify teamed-up to bring listeners a different take on the Dark Knight. Everybody involved was stoked to have the "largest simultaneous launch" on the platform. So many people flocked to the app to hear it that Batman Unburied got green-lit for Season 2.

Here's what Spotify had to say to tease the series: "When audiences meet Bruce Wayne he is a forensic pathologist, working in the bowels of Gotham Hospital and tasked with examining the victims of The Harvester, a gruesome serial killer preying on Gotham's citizens. Not only will the superhero be forced to face his own mental demons, but he will also have to overcome them in order to save the citizens of Gotham as his alter-ego, Batman."

What James Gunn Has Planned For Batman

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(Photo: DC Entertainment)

At the moment, The Brave and the Bold is a bit of a mystery. DC Studios has started off the James Gunn and Peter Safran era with a lot of fun plans. One of the biggest announcements was their Batman project. Longtime fans are excited to see what this Bat-Family-centric take on The Caped Crusader will be like. Damian Wayne fans, your time is here, and this time we're going to see the character in live-action.

"This is the introduction of the DCU's Batman..." Gunn previously wrote. "This is the story of Damian Wayne, who is Batman's actual son who we didn't know existed for the first eight to 10 years of his life. He was raised as a little murderer and assassin. He's a little son of a bitch. He's my favorite Robin. It's based on the Grant Morrison comic book's run, which is one of my favorite Batman runs, and we are putting that all together right now."

"And this is obviously a feature film, and it's going to feature other members of the extended 'Bat-family', just because we feel like they've been left out of the Batman stories in the theater for far too long," Safran added during the announcement.

Who would you like to see get a chance to play Batman? Check out all the pop culture discussion at @ComicBook on social media!

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The Dark Knight: Aaron Eckhart Reflects on Film's Enduring Legacy, "The Movie Lives Beyond Entertainment" https://comicbook.com/movies/news/dark-knight-aaron-eckhart-beyond-entertainment/ Thu, 02 May 2024 11:03:00 +0000 Russ Burlingame c81a876b-c6fb-4e79-9b46-b0b2bc55e823

Aaron Eckhart, who played Harvey Dent in The Dark Knight, says he never gets tired of fans gushing about the movie -- in part because he is pretty impressed by it, too. Speaking with ComicBook.com in support of his new movie Chief of Station, Eckhart said the movie has continued to be iconic in part because how holistically it was put together, with a great script as well as great performances and direction. He praised filmmaker Christopher Nolan for managing to take all the best elements of the screenplay and get all of them onscreen just the way he (Eckhart) imagined.

The film told the story of how Eckhart's character evolved from a morally-upstanding district attorney into the disfigured supervillain Two-Face, although as with most characters in the Nolan movies, it was just the one adventure before the villain was gone.

"That movie's extraordinary, that movie's special, and it wasn't just special on the screen," Eckhart told ComicBook.com. "It was special in the script. It was special in the writing. I'll tell you a story about that. I was at home and a guy came to my house with the script. He handed me the script, and he waited outside for two hours while I read that script, and then I handed it back to him and he left. And I remember reading that script going, oh, I felt like I just read a novel, a good novel. And I thought, how in the world can you incorporate this many main characters into a plot, into a movie, into a script, and make it work? But there it is, and Chris put everything that was in that script up on the screen. And if you look at Gotham City and what's going on in Gotham City now, before that, Chris made that movie real. And of course you had Heath who just went off the charts. But look what happened. It's a big city that has feckless and cowardly politicians, corrupt politicians who have given that city over to a mafia. And now the people who cannot walk the streets at night cannot. They have to entrust themselves into somebody to come save them. And if you think about it, how pertinent and how relevant that storyline is, it's oppression. And so I think the movie lives beyond entertainment and cinema."

In Chief of Station, "Ben is a former CIA station chief whose world comes crashing down after his wife, a former operative, dies in a terrible accident. Soon, a cryptic message sends him back into the shadowy underworld of Eastern Europe, teaming up with a former adversary to unravel a conspiracy that challenges everything he thought he knew about his wife and the agency that he worked for."

Chief of Station releases theatrically on Friday, May 3.

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Dead Boy Detectives: Ruth Connell Talks Reprising Night Nurse Role From Doom Patrol https://comicbook.com/dc/news/dead-boy-detectives-ruth-connell-reprising-night-nurse-role-doom-patrol/ Wed, 01 May 2024 23:55:00 +0000 Jamie Jirak b81fd5dd-9384-485a-821c-8c70857f7ad4

Dead Boy Detectives is now streaming on Netflix, and the new supernatural series is a spinoff of The Sandman. The new show is based on the comics by writer Neil Gaiman and artists Matt Wagner and Malcolm Jones III, but it's not the first time the comics' main characters have appeared on TV. Back in 2021, the third episode of Doom Patrol's third season, "Dead Patrol," featured many characters from the Dead Boy Detectives comics. While most of the characters were recast for the Netflix show, Ruth Connell is back as the Night Nurse. ComicBook.com recently had the chance to chat with Connell, and we asked her how her return to the role came to be.

"So [DBD showrunner Steve Yockey] first mentioned this role to me five years ago. He really took care of my character a lot on Supernatural, took care of Rowena, and then mentioned this role, a small red-haired Scottish woman, and Dead Boy Detectives. And he said something about DC and I was like, 'That's a universe. I think that's cool.' And then when it was whispered, 'Come and do this backdoor pilot on Doom Patrol,' I went along in good faith."

"I went along to Atlanta and shot Doom Patrol, and Jeremy Carver was our showrunner from Supernatural as well. I did it with a view of being the character so that if it did go on to have its own series, I could be [her again]. I did it really as a good-faith gesture, and I was so happy to do it. And it was obviously a very different iteration of the Night Nurse to what she is now. But I've been thinking about night nurses and digesting all of that for a long time."

"And in reading, I mean, I've been a Neil Gaiman fan - I actually have seen a few of these plays - and I think they translate really well to stage, but just coming to read Dead Boy Detectives, I just love the wit in the sensibilities in the original material. And I think we've stayed true to that in many ways in the final edit."

Do You Need To Watch The Sandman Before Dead Boy Detectives?

ComicBook.com recently attended a meet and greet with Dead Boy Detective showrunners, Steve Yockey and Beth Schwartz, and we asked if they recommend watching The Sandman or reading the Dead Boy Detectives comics before starting the spinoff series.

"Well, I think that you don't need to do any homework for the show, and I feel like it's more fun," Schwartz explained. "I don't know, everyone's different, but I think it's more fun not to do anything before you see it. So you can be surprised and then you can go back and watch Sandman and read the comics after."

"And we are true to the boys' origins and how they started the detective agency and Crystal's backstory," Yockey added. "But the rest of it is us kind of taking things from the comic books and sort of re-appropriating them, re-imagining them so that people who are familiar with the comic books will get to have those kind of like, 'Oh, I recognize this, moment.' ... But regular people can just watch the show."

Dead Boy Detectives is now streaming on Netflix.

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Top 10 Comic Books Rising in Value in the Last Week Include X-Men, Harley Quinn, and Invincible https://comicbook.com/comics/news/top-10-comic-books-rising-value-covrprice-x-men-harley-quinn-invincible/ Wed, 01 May 2024 22:22:00 +0000 Matt DeVoe 42cc2ca1-6c67-41b7-b770-315ce4c5b659

Marvel and DC put out great covers for Mystique and Harley Quinn last week, and fans are hunting them down! That wasn't the only cover artwork to generate buzz; Artgerm's Something is Killing the Children also was a huge hit. Deadpool & Wolverine is getting closer, and key books are heating up again. X-Men '97 has also been causing several keys to jump back into the spotlight. Finally, a neat crossover makes it to the top ten, thanks to Invincible. Read through our top ten list to see what happened in the Invincible Season 2 finale.

Want to know what comic books are trending each week and why? COVRPRICE.COM uses live sales analytics to identify and compile the most robust market price guide, highlighting the weekly top trending comics. No opinions. Just data. Each week, they present a newly updated list of the TOP 10 COMICS trending in the aftermarket. These trends are due to rumors, fan-favorite covers, story-driven content, and content-related news.

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(Photo: CovrPrice)

#10: X-Men Forever #2 - Arthur Adams (1:25) | MARVEL | 2024: Arthur Adams' covers have always been a top collector's item. With the recent success of X-Men '97, X-Men covers have been rising in popularity. Mystique is also a top-selling X-Men cover character. Aside from it being fantastic cover art, this book is also a retailer incentive, a 1:25 ratio cover. The rarity adds to the desire to collect this cover and show off amazing Adams artwork! We tracked it at a high sale of $50 for a raw NM copy and a current raw NM FMV of $41.

#9: Harley Quinn #39 - Mindy Lee (1:50) | DC | 2024: What a great cover from artist Mindy Lee! Harley Quinn is known for her wild covers, and this one is on the list! The cover depicts the character in a colorful space suit facing off against robotic minions. It is a great cover and it is also a retailer incentive variant, making it even harder to find! We tracked it at a high sale of $150 for a raw NM copy and a current raw NM FMV of $124.

#8: Something Is Killing The Children #36 - Stanley Artgerm Lau - Thank You | BOOM! STUDIOS | 2024: Artgerm is one of the most sought-after cover artists in the industry today. His artwork has a huge fandom. Moreover, Something is Killing the Children is one of the most popular series, BOOM! Studios has produced. Pair these two factors with a limited retailer thank-you variant, and you have a highly desirable cover to chase! We tracked it at a high sale of $75 for a raw NM copy and a current raw NM FMV of $31.

#7: The Uncanny X-Men #221 | MARVEL | 1987: Mr. Sinister is playing a huge role in the latest X-Men series. The animated show depicts Mr. Sinister as one of the main villains in the series. Since the show's announcement, Mr. Sinister was rumored to be in the show. Fans did not know his role's importance, whether he would be a villain of the week or a mainstay player. It turns out that Mr. Sinister is playing a huge role, and fans are swarming to pick up his first appearance. We tracked it at a high sale of $60 for a raw copy and a current raw NM FMV of 435.

#6: Marvel Team-Up #14 | MARVEL | 2006: In this issue, we see Invincible hop through the multiverse and end up in the main Marvel comic universe. He assists Spidey and the Avengers in a battle against Doc Ock. As most fans know, the rights to IP in comics vastly differ from those of film rights. It looks like Amazon didn't have the right to use Spider-Man, but they still handled the multiverse hop in their own way. Instead of running into our favorite wall-crawler, Invincible hops the multiverse and ends up assisting Agent Spider in a battle against Prof Ock. It's an elegant way of dealing with this pivotal moment while also navigating legal restrictions over Marvel IP. Fans of this moment wanted to revisit the original team-up and are picking up tons of copies of this great event! We tracked 19 copies sold, at a 7-day trend of 63%, with a high sale of $775 for a CGC 9.8 copy and a current raw NM FMV of $275.

#5: X-Men #53 | MARVEL | 1996: There has been so much going on in X-Men '97 that fans are caught up in processing the events vs theorizing storylines. However, that changed with the debut of the latest episode. The ending revealed that Magneto was currently held captive by the surprise villain Bastion. Bastion also monitored Professor Xavier's whereabouts. Fans are speculating that Bastion is attempting to pit Magneto against the X-Men team and, subsequently, Professor X. This clash, at such a high emotional time in mutant-kind, might be the catalyst to bring out the monstrous villain, Onslaught! If this is true, fans have quickly grabbed his first appearance this past week! We tracked it at a high sale of $15 for a raw NM copy and a current raw NM FMV of $5.

#4: The Uncanny X-Men #333 | MARVEL | 1996: The X-Men '97 series consistently boosts X-Men keys that have been dormant for years. The latest episode ended with a surprise villain debut: the mastermind behind the attack on Genosha, Bastion! In the comic books, the genocide on Genosha was orchestrated by Cassandra Nova. It looks like the showrunners are pointing the attack to Bastion and his manipulation of Bolivar Trask. Nevertheless, until the episode drops tomorrow, we won't know Bastion's endgame. We tracked it at a high sale of $20 for a raw NM copy and a current raw NM FMV of $8.

#3: New X-Men #114 | MARVEL | 2001: Cassandra Nova has been a long-rumored villain for the Deadpool & Wolverine film. This past week, the movie released a second trailer, confirming the villainess' appearance in the film. The trailer also built a ton of hype around the film in general. Fans are ready to see the merc with a mouth join the MCU! We tracked it at a high sale of $20 for a raw VF copy and a current raw NM FMV of $25.

#2: The New Mutants #98 | MARVEL | 1991: Deadpool & Wolverine continues to get closer every day! As the movie approaches, more and more rumors are unraveling. The latest rumor is about the movie's end credit scene. Several well-known leakers have shared that they have seen the end-credit scene of the movie. The scene is being praised across the board, and it is said to completely redefine the MCU. However, nearly all the leakers have a united front when sharing any information about the scene. Nearly all information from Deadpool & Wolverine has been pretty tight-lipped, but the rumors have had enough fuel to light the fire under these keys! We tracked 41 copies sold, at a 7-day trend of 24%, with a high sale of $1,382 for a CGC 9.8 and a current raw NM FMV of $386.

#1: Dazzler #1 | MARVEL | 1981: Taylor Swift cameoing as Dazzler in Deadpool & Wolverine has been the most popular rumor surrounding the film. It has been a long time since any new rumor has emerged, but the book has managed to stay on our top lists just because of Swift's star power alone. However, Swift fans are now combing through her latest album, The Tortured Poets Department, to find out any information about her cameo. In the final track of her album, Clara Bow, there is a lyric that reads, "The future's bright, dazzling." This small line has been speculated as the star's way of confirming to her fans that she will be playing the character Dazzler. Obviously, this is not hard evidence, but it was enough to push this book back to the number one spot! We tracked 61 copies sold, at a 7-day trend of 110%, with a high sale of $174 for a CGC 9.8 and a current raw NM FMV of $9.

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